Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Blue by Erica Goss

The latest author-made film from Erica Goss, who included these process notes in the description:

During the summer of 2017, my brother visited me from New York City. He wanted to get a tattoo, so we found High Priestess in Eugene, where I had just moved. I asked my brother and the tattoo artist if I could film the procedure, and they agreed. I had a poem, titled “Blue,” that I wrote in 2014 after listening to the Joni Mitchell song of the same name. The poem mentions tattoos, so I thought it would be a good fit with the subject of the video. A technical note: I did no color correction on the video except for the last scene, where I increased the light and contrast slightly. The room was fairly dark, so the spotlights show up as a bit blown out. I like the effect and didn’t want to change it.

The music is by Kevin MacLeod.

Tryouts by Gary Jackson

Animation by Victor Newman of a poem from Gary Jackson‘s book Missing You, Metropolis, which “imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend,” according to the publisher’s description. Newman was assisted by animators Jonathan Djob Nkonbo and Jeff Chong, JD McMillin did the sound design, and the voiceover is by Chuck Johnson.

Tryouts was produced by Motionpoems as part of their Season 7, in partnership with Cave Canem. For the text of the poem, see the Motionpoems website.

The Desktop Metaphor by Caleb Parkin

The Desktop Metaphor is a film by Helmie Stil of Caleb Parkin’s second placed poem in the National Poetry Competition 2016, commissioned by Alastair Cook of Filmpoem in partnership with the Poetry Society.

Dutch filmmaker Helmie Stil is also the organizer of Filmpoem Festival 2017 at the Depot in Lewes on October 28, which will include a screening of all ten of the films made for the 2016 winners of the UK Poetry Society’s National Poetry Competition.

Caleb Parkin is a “poet, performer, artist, facilitator and educator, based in Bristol.” His poem on the page takes an interesting diptych-like form as the words echo back and forth from one line to the next.

Filmpoem Festival 2017 program released

The Filmpoem Festival slated for Saturday, 28 October in Lewes, UK has released a very full and innovative program.

Some of the UK’s best spoken word poets come together to perform live, integrated with films inspired by poetry. Depot screens film poems from around the world and shows some fantastic national poetry competition films. And then it’s your turn – we round the evening off with an open mic session.

Helmie Stil, organiser of this year’s festival and filmmaker, created this trailer mainly from footage of the new 10 National Poetry Competition Films which will be shown at the festival. Original music by Lennert Busch.

The events include:

  • Première of two short animation films made by children during the Depot workshop, inspired by a poem by Colin West
  • Live poetry performances by Louisa Campbell, Maria Jastrzębska and Siân Thomas
  • Dean Atta will perform his poetry live, show his own poetry films, and also present three of his favorite poetry films from the South East
  • Filmpoem and The Poetry Society present the 10 National Poetry Competition 2016 winners realized as poetry-film
  • Madi Maxwell-Libby performs her poetry live, followed by a screening of the documentary We Belong, featuring Madi and seven other UK poets and spoken word artists on ‘state of the nation’ themes
  • Ross Sutherland’s live performance of Stand-By For Tape Back-Up, his well-reviewed videopoem about memory, death and re-runs
  • Open Competition winners presentation and screening
  • Matt Abbott performs his poetry live and shows his poetry films
  • Salena Godden, one of UK’s best spoken word poets, will perform exciting new work live, and will show, amongst other short films, her newest film poem RED, written and filmed in response to the tampon tax and period poverty
  • Open mic

A hearty congratulations to the organizers for such an exciting line-up! Book your tickets today.

“Descrambled Eggs” wins 2017 Ó Bhéal‏ Poetry Film Competition

Descrambled Eggs—the film by Kayla Jeanson with poet Steve Curry that I just shared on Moving Poems—has won the 2017 IndieCork award for best poetry film!

I swear I had nothing to do with this. (I didn’t even notice that it was on the Ó Bhéal‏ shortlist when I shared it.) The winner was chosen by poet Lani O’Hanlon and filmmaker Shaun O’Connor from among the 30 films screened earlier today as part of the IndieCork Festival. Congratulations to Kayla and Steve, as well as to all the other filmmakers and poets selected for this increasingly competitive and highly regarded annual poetry film festival.

Descrambled Eggs by Steve Currie

Canadian poet Steve Currie stars in this video, directed by Kayla Jeanson with illustrations by Sergio Garzon and music by Kevin McLeod. “Created for F-wordz – Winnipeg Film Group 2015,” it was re-released last June by Button Poetry.

Although Currie doesn’t appear to have a website, a quick search reveals that he was the 2012 slam champion of Winnipeg, currently teaches high school in British Columbia, and is not landed gentry. Assuming that’s all the same guy.

Repeated by Dani Salvadori

I’m not sure why all the disparate elements of this haiku videopoem should hold together so well, but they do. Text, video and sound design are all the work of Dani Salvadori, who notes on Vimeo that the “Footage [was] shot during 2016 and combined to commemorate too many business trips.” The music is by Troy Holder.

I like Salvadori’s about page:

Video poetry, for the smallest screen. Made by mobile for mobile viewing.

Check out her other videos.

Thank You, Tree by Fatou M’Baye

Nathan Tranbarger filmed and edited this video for the Wick Poetry Center’s Traveling Stanzas project, which has been going on now as long as Moving Poems. I’m happy to see that they’re not only still around; they’ve expanded into a proper online magazine as well as maintaining the public poetry poster side of the project. Kent State Magazine also has a short piece about this video:

[Fatou] M’Baye wrote the poem “Thank You, Tree” last fall as a fifth-grader attending the Holden Elementary School Writer’s Club, an after-school program. David Hassler, director of the Wick Poetry Center, held a workshop at the club as part of the center’s outreach efforts to the community. “In the first session, we started with the idea of being grateful for something in our lives,” says Hassler. “Fatou chose this tree.”

“I wanted to thank her for helping me and my friends,” says M’Baye. “I wanted to thank all the trees. Without them we wouldn’t have healthy, happy lives.” […]

Since 2009 illustrated poems have made their way across Northeast Ohio, displayed on buses and transit systems and printed on posters and postcards as a project of the College of Arts and Sciences’ Wick Poetry Center. Now these poetry illustrations are journeying around the world as part of an interactive website and traveling exhibit that launched this fall, with support from the Ohio Arts Council.

Traveling Stanzas—an award-winning collaboration between the Wick Poetry Center and the School of Visual Communication Design—aims to facilitate a global conversation through the intimate and inclusive voice of poetry. Featured poems are curated from global submissions and illustrated by Kent State students and alumni.

Click through to see the poster made for M’Baye’s poem.

12 Sights of the Sea by Ian Gibbins

A new version of a videopoem by Ian Gibbins, transferring the majority of the text, which had been entirely on-screen on an earlier version, into a voice-over. I find this approach much more effective, though the earlier version is undoubtedly more accessible to the deaf (and possibly also to the dyslexic). Here’s the Vimeo description:

… the rippling enfoldment, across the ebb, failure below deck, only By-the-Wind-Sailors … text originally published in Cordite 45: Silence (2014)… images and sounds recorded from the seas and islands around the Fleurieu Peninsula, South Australia.

Be sure to follow Ian’s blog to keep up with all his video- and music-making. He claims to be retired, but the evidence strongly suggests otherwise.

Call for submissions of poetry and film: Magma 71

The British literary magazine Magma Poetry is now soliciting work for Magma 71 — The Film Issue, guest-edited by Cheryl Moskowitz and Stav Poleg, who are looking for both poems about films and film-poems themselves. There’s also an opportunity for poets to get their lyrical film-scripts turned into films.

As usual with traditional literary magazines, they’re insisting that the poems be complete virgins to publication, which I suppose means that the videos, too, must not have been shared anywhere before, not even on YouTube or Vimeo. But if that forces filmmakers and video artists to create brand new work, and possibly initiate new collaborations with poets in the process, so much the better! Here’s the call.

Closing date: 31st January, 2018

The submissions window for ‘Film’ is open from October 1st 2017 until January 31st 2018.

We welcome poems that have not been previously published, either in print or online. Poems may be sent via Submittable, or by post if you live in the UK. Postal submissions are not acknowledged until a decision is made.

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“My poetry seems to be something I make up as I go along. Certain movies strike me that way — going in and out of one’s dreams.” From “John Ashbery goes to the movies”

Whether it’s a film you always go back to, a director you follow, a cinema that holds a particular story for you, or a poem that simply reads like a short film, Magma 71 is set out to celebrate the poetry of cinema.

Take us with you to the movies. Send us your takes on Neorealism and Nouvelle Vague, Hollywood Golden Age or the cinema of today. Or perhaps you’d like to create your own film script, presented to us in the form of a poem. Send us your films noirs, your indies and your blockbusters. In short, make us believe in films that don’t exist and send us to watch the films that do. Show us the ways poetry and film are connected and explore with us whether it is even possible for contemporary poets to write without the cinema screen at the back of their mind.

We are also calling for submissions of film-poems. We are particularly interested in collaborative work between poets and filmmakers. The poems, as always, should not have been previously published, either in print or online. The chosen film-poems will be screened at Magma events, showcased on the Magma website, and the poem texts published in the magazine. We are interested in collaborations that challenge and converse with each other’s form rather than simply echo it. In other words, if there’s a moon in the poem, we probably don’t need to see it represented as a moon in the film.

Look out for regular updates during the reading/viewing period on the Magma website where we’ll be posting examples of recent film poems we’ve loved and discussing the boundaries between film poems and music video clips, from Beyoncé’s 2016 visual album Lemonade all the way back to Bob Dylan’s 1965 Subterranean Homesick Blues.

We look forward to going to the cinema with you!

Cheryl Moskowitz and Stav Poleg, Editors, Magma 71

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Magma Poetry in Collaboration with the University of Edinburgh and the Festival of Creative Learning

We are thrilled to announce our first collaboration for Magma 71.

More details here

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Wanting to submit to the Film Issue?  You may submit:

Up to 4 poems in a single Word document

Up to 2 film-poems— each no longer than 2.5 minutes. (If your film is longer, please submit the first 2.5 minutes of it)

Note that if you submit film poems, you must submit the poem texts as well.

Go to Submittable for more details.

If you click the link for the collaboration with the University of Edinburgh, there’s news of an additional contest for poets:

During the Call for Submissions for Magma 71, we will choose a number of poems to be handed over to the University of Edinburgh filmmakers to create film-poems, using the written poem as a starting point. The film-poems will be featured on the Magma Poetry website as well as on the Festival of Creative Learning website.

The complete films will be showcased during the Festival of Creative Learning event or the Festival Pop-Up event in 2018, and at the magazine launch in London. The poets will be invited to read at the events.

If you would like your poems to be considered for this project, you will need to submit your poems no later than November 1st 2017. (Note that the closing date for the general Magma 71 Call for Submissions is January 31st 2018).

Cheryl Moskowitz and Stav Poleg, Editors, Magma 71

Pretty cool.

13 Ways of Looking at a Haiku + anagram mix by Jim Kacian

Jim Kacian riffs on the famous Wallace Stevens poem, but in visual terms, featuring variants on an original theme. Filmed on Moosehead Lake, Maine, in 2016 and presented here during HaikuLife 2017, part of International Haiku Poetry Day, an initiative of The Haiku Foundation, held 17 April 2017.

That’s from the Haiku Foundation’s HaikuLife 2017 page, which also presents a companion video:

While creating 13 Ways of Looking at a Haiku for HaikuLife 2017, Jim Kacian became addicted to the anagrammatic possibilities of his “seed poem”. Here are 13 of what he feels are the best variations (he warns that many others are possible).

Jim Kacian is one of the most prominent practitioners and publishers in the modern (gendai) English-language haiku scene. It’s great to see him taking such an innovative approach to haiku videopoetry here. Most haiku videos on YouTube and Vimeo are intensely conservative and boring, in my opinion, featuring little of the creative disjunction for which modern haiku is known.

Life, Life by Arseny Tarkovsky

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It’s always fascinating to see how different poetry-film makers will deploy the same text. In his film, Cameron Michael juxtaposes the dreamy text and soundtrack with time-lapse shots of New York City, while in Exiles, Bangladeshi director Amirul Rajiv uses black-and-white footage of a vast Rohingya refugee camp. Which is a better fit? How does our understanding of the poem change from one film to the other?

Poetry-film fans should recognize the name Arseny Tarkovsky: his son, the great Russian filmmaker Andrei Tarkovsky, included his father’s poems in some of his most memorable scenes. Here, the title poem from Virginia Rounding’s recent volume of English translations comes to us via an album by the film composer Ryuichi Sakamoto, which he offered up for an international short film competition earlier this year. Here’s how the website No Film School described it:

The composer behind ‘The Revenant’ has teamed up with Apichatpong Weerasethakul to give out awards totaling $5,000 cash.

This past spring, Ryuichi Sakamoto released his album async, which he described as a “soundtrack for an imaginary Andrei Tarkovsky film.” Today, he announced the async Short Film Competition, in which he asks filmmakers to create a movie around his music.

The short films will be judged by Sakamoto and acclaimed filmmaker Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives). In addition, one filmmaker will be given an “Audience Award” based on the following method: One point for every time the submitted film is played on Vimeo; 10 points for every “like” on Vimeo; and 10 points for every “like” on Facebook by September 30th, 2017.

Sakamoto will decide on a winner based on the following criteria:

  • Originality
  • Creativity
  • Unique expression of the relationship between the music and the images
  • The general appeal of the film

[…]

Apichatpong will decide on a winner based on the following criteria:

  • Originality
  • Creativity
  • The general appeal of the film

Links to all the films entered in the competition are currently on the front page of Sakamoto’s website. You can see more film interpretations of this poem by doing a Google video search for Arseny Tarkovsky “Life, Life”.