Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Random strangers reading poems on camera

Check out How Pedestrian, the latest addition to the Moving Poems linkroll. As described in a recent article in the Toronto National Post, the site’s curator and videographer, Toronto poet Katherine Leyton, stops people at random and asks them to recite a poem on camera. Most of the time, they agree.

“Poetry has such a bad rap,” Leyton says. “People will tell me about how they had to analyze Robert Frost poems in high school, and how boring it was, but poetry doesn’t have to be like that.” She’s hoping her blog will change the public’s perceptions about poetry and make it more accessible to those who might otherwise shy away from it.

Most of the participants read the poem Leyton provides only moments before they recite it, and while in some videos this is obvious, in others, the readers recite with such feeling and conviction that it’s hard not to think it’s rehearsed. “Good poetry should always work first on a gut level — it should communicate with you intuitively,” Leyton explains. “I think that for most poets, that’s the aim.”

As a proof-of-concept, the site is brilliant, and with Leyton’s short but substantive blurbs about each featured poet, I should think How Pedestrian could really come in handy in the classroom.

Television by Todd Alcott

Beth Fulton writes,

The inspiration of this video comes from Todd Alcott’s poem, Television. I own no rights to his reading of the poem and intend only to share my own personal interpretation. Hope you like!

This is to my knowledge the first English-language videopoem to have gone viral. I first saw it last week on Facebook, where it seems to have been posted quite heavily. It’s been played 445,537 times in just three months, making it currently the most popular videopoem on Vimeo, and second only to Juan Delcan’s animation of Billy Collins’ “The Dead” on YouTube, which has amassed 761,494 views — but over the course of three years. So “Television”‘s refrain, “Look at me!” seems to be working.

Todd Alcott is a screenwriter living in Santa Monica, and judging by the comment he left below the video on Vimeo, seems to be a friend or acquaintance of the filmmaker doesn’t know the filmmaker (though he likes the video — see comments).

How to Make a Crab Cake by January Gill O’Neil

Another in our brief series of videopoems that riff on television. January Gill O’Neil makes nice use of TV cooking-show conventions for a poem from her debut collection Underlife. She blogged briefly about the making of the video here.

(Hat tip: Christine Swint in the Moving Poems forum.)

“And did those feet in ancient time” by William Blake

Continuing the theme of videopoems that riff on television conventions, here’s a poetry promo from the BBC disguised as a sporting news story from the BBC. The poem is referred to as “Jerusalem,” but it’s actually from the Preface to Milton. A popular hymn adaptation by Hubert Parry a century after Blake wrote it is reponsible for the new title, according to the Wikipedia.

The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, travelled to the area that is now England and visited Glastonbury. The legend is linked to an idea in the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian church in general, and the English Church in particular, used Jerusalem as a metaphor for Heaven, a place of universal love and peace.

That’s one of those metaphors that would seem to have outlived its relevance, except perhaps in the writing of the late Mahmoud Darwish.

Some Last Questions by W. S. Merwin

Another section from the production Men Think They Are Better Than Grass by the San Francisco-based Deborah Slater Dance Theatre, based on poems by W. S. Merwin. The two featured dancers here are Travis Rowland and Breton Tyner Bryan. The inclusion of sound effects from the TV quiz show Jeopardy is brilliant, I thought.

Last Thursday, Merwin was appointed U.S. Poet Laureate.

Stealing by Carol Ann Duffy

Update: this video is no longer online.

Directed by Gerard Docherty. Aside from the sloppy spelling, this is a fine video and seemed worth sharing. Duffy is, of course, the current Poet Laureate of Great Britain. I assume this video was made without her permission, and thus represents a kind of stealing itself — and/or an homage and act of generosity, depending on your view of intellectual property rights.

I’m going back to posting five videos a week here, at least until I can shrink the current queue of draft posts. So much good stuff coming out these days!

Children by Mike Finley

Mike Finley is a journalist and business writer who also writes poetry and, starting last year, has been making a lot of videos. This is one of my favorites of his so far.

Verde: the greening of electrons by Thylias Moss

http://www.youtube.com/watch?v=hia2ks5DhCE

I’ve been seriously remiss in not posting some of the 57 poetry videos uploaded by Forkergirl at YouTube, A.K.A. Thylias Moss, a major contemporary American poet. This one caught my fancy because it riffs on the first lines of a favorite poem of mine, Federico García Lorca’s “Romance Sonámbulo.” Moss includes the text of her piece in the notes below the video on YouTube. Made for Valentine’s Day 2007, it’s been played more than 3,900 times.

Look Through a Complex Eye and See 1000 of Everything by Zachary Schomburg

Layne Braunstein directed, designed and animated this film for Born Magazine, where the original Flash version still lives (along with the text). Thanks to producer Fake Love for uploading it to Vimeo.

Zachary Schomburg’s website appears to be out of commission, but he does have a blog, as well as a Vimeo account — turns out he makes videopoems himself, too. (Look for examples here in the coming weeks.) The poem is from his second book, Scary, No Scary.

Oblogo Concerto by Atukwei Okai

Ghanaian poetry videos are a little thin on the ground, but I found three in the International Poetry Festival of Medellín’s massive video archive (African poets section), and was fascinated by Okai’s dramatic style and use of extreme alliteration. Atukwei Okai “was the first to try to take African poetry back to one of its primal origins, in percussion, by deliberately violating the syntax and lexicon of English, creating his own rhythms through startling phonetic innovations,” according to the Nigerian scholar of African Studies Femi Osofisan. In typical Medellín video style, we are shown the audience’s reactions — or lack thereof — as the poet recites.

For more on the festival, see the Guardian Weekly article, “Medellín’s poems of peace.” I would love to see the same kind of media coverage given to this festival as to the World Cup, at least on Univision. But I imagine it would have to be turned into a poetry slam-style competition for that to happen, and that would probably clash with the festival’s peace agenda.

Literalism run amok!

http://www.youtube.com/watch?v=A4WZW8bdmk8

The folks at Weirdo Productions demonstrate what happens when poems are taken too literally, using as an example the Carol Ann Duffy poem “A Child’s Sleep.” I love this, because overly literal videopoems are one of the banes of my existence as curator of Moving Poems.

Video-hosting news

YouTube has added a vuvuzela button to all its videos. As a fan of noise rock and dissonant avant-garde classical, I’m cheered by this decision to embrace the sonic chaos of the 2010 World Cup. Sadly, however, this option is not included on embeds, so Moving Poems visitors will have to click through to YouTube itself to hear Sylvia Plath or Linh Dinh accompanied by the drone of a cheap plastic horn.

In other video-blogging news from the Blog Herald, the folks at Blogger have dramatically improved their free video-hosting system, but they still don’t allow embedding. Given that Blogger also doesn’t have an export tool that allows people to take their files with them, people who upload videos to Blogger at this point are basically consigning their uploads to a Blogger lockbox.