Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

You Must Choose Between Floating… by Zachary Schomburg

Another of Zachary Schomburg’s minimalist videopoems in support of his collection Scary, No Scary. (I think this one falls into the “scary” category.) The full title of the poem is “You Must Choose Between Floating Eternally in a Buoyant Cage of Hummingbird Bones Down a River of Lava or a River of Blood.”

The Body Show: How to Boil an Egg by Nora Robertson

UPDATE (3 August 2015): I’ve found and swapped in the complete film.

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This is actually a trailer for a short film by Jason Bahling called The Body Show, due out in November. The whole film is essentially a videopoem for “How to Boil an Egg,” which is from Nora Robertson’s unpublished collection Body-Making Cookery — or so I gather from Jason’s notes at Vimeo and a recent post at Nora’s blog:

About five years ago I appeared in a line-up at Borders downtown and read from my then-new collection Body-Making Cookery which is still in progress (cue internal groan). The collection is all recipe poems and explores the associations food has for us, that food is almost never just a way to keep our bodies going, that it reminds us of other things like family, personal biography, history, body image, desire, mythology, religion. When we eat, it’s my belief that we don’t just take the food into our bodies, but all of these associations into the body of our self. I was experimenting with a persona, the housewife, which later morphed into cooking show host gone awry as explored in the short film The Body Show, a collaboration with video artist Jason Bahling to be released in November 2010.

Beware of Dog by Tom Konyves

Video by Tom and Alex Konyves with editing by Scott Douglas and voice by Piper McKinnon. Tom interprets his videopoem for us in the YouTube notes:

This videopoem imagines a conversation, an internal dialogue between the poet and his “spirit-guide”, revealed as words typed on the horizontal rails of a fence, accompanied by a Latin club beat (Los Chicarones), and punctuated with a well-situated growl or bark.

The image of the fence suggests “the other side”; on the other side of the fence there is no dialogue, no visual text, no colour, no music — only the singular voice (Piper McKinnon) of the instinctive impulse, in black and white, in slow motion.

My Friend, The Parking Lot Attendant by Charles Bukowski

English film student Tom Ralph notes,

The piece is meant to be shown on two screens facing each other, one for each character in the film. This gives the impression of a conversation in which the audience can place themselves where they please. For the purpose of viewing now, both characters appear on one film. Filmed on a Kodak Zi6 and edited on Final Cut Pro. Thanks to Dennis Thompson and Roy Winspear.

On Writing Hat Poems by Marvin Kimbrough

An animation by Francesca Talenti. I wasn’t able to locate a website for the poet.

UPDATE (9/7/10): After posting this, I got a note from Austin-based poet Scott Wiggerman on Facebook saying that Dr. Marvin Kimbrough had been active in the Austin poetry scene and was “a very warm, wonderful person,” though now she was in the hospital with terminal cancer. Yesterday, he sent a follow-up note saying she’d died that morning. Rest in peace, Dr. Kimbrough.

How to be Alone by Tanya Davis

Another videopoem gone viral, with well over a million views at time of posting. It’s not high art, but I guess like a lot of people I love the message here, and I thought the film was charming, too. Andrea Dorfman is the filmmaker. Tanya Davis is the actor/performer as well as the author, justifying this video’s inclusion in my Spoken Word category.

Video haiku by Rollo Hollins

This video is no longer online.

“Video haiku” is a somewhat inchoate genre that overlaps with videopoetry but isn’t wholly contained by it: some filmmakers, for example, use the term for short, poetic films with three scenes reminiscent of the three lines of conventional English-language haiku (Japanese haiku are written in one line). Those that do include text often adhere rigorously to the 5-7-5 syllable pattern, but otherwise are barely recognizable as poems. This short film, however, seems based quite organically on the haiga tradition: the text is very well integrated with the single image, and the author/filmmaker — a London-based director — knows enough to disregard the three-line and 17 syllable conventions when they don’t suit their purposes. Though this is closer to a slide than a film, I think it’s worth featuring here because of the possiblities is suggests for contemporary haiku video.

Dreaming of Hair by Li-Young Lee

http://vimeo.com/26980867

A kinetic text piece by Dara Elerath, a student at the Art Center Design College in Albuquerque. Michael McCormick narrates.

For more on Li-Young Lee, see his page at the Academy of American Poets.

My Grave by Philip Levine

Written and produced by Patrick Robert Payne and Susan Ada Brown. Jared Parks directs. Oddly, this is the first decent video for a Philip Levine poem that I’ve run across — the first of many, I hope.

William Stafford documentary airing on PBS

See the website for a list of airdates (PDF) around the U.S. this month and next. See also the review of Every War Has Two Losers by Jayne Lyn Stahl in the Huffington Post.

Every War Has Two Losers is a documentary based on the journals of midwestern poet William Stafford who declared himself a conscientious objector to World War II and, from 1942 through 1946, was interned at the Civilian Public Service Camps as a pacifist. The film has already aired on selected PBS stations, and features some of this country’s finest poets, W.S. Merwin, Coleman Barks, Robert Bly, Maxine Hong Kingston, Alice Walker, reading from Stafford’s work.

Stafford, who was born in 1914, was the author of some 67 volumes of poetry, winner of the National Book Award in 1963, and a close friend of another legendary American poet, Robert Bly.

Hangman by Maurice Ogden

Classic film poem from 1964, directed by Paul Julian and Les Goodman with animation by Margaret Julian. According to a Wikipedia entry on the poem, it was a co-winner of the Silver Sail award at the Locarno International Film Festival in 1964. A couple of the user reviews at IMDb are worth quoting. Old_tv_guy calls it

An eerie and disturbing little gem from Melrose Studios. Animation is excellent, of a photocollage style you hardly ever see: stark photo images and gaunt, jagged lines. It seems to be taking place in a backwater of infinity, or a nightmare world of pale colors and limitless space.

And tim_gatchell wrote in 2008,

I also saw this short as a child. Probably in about the 5th grade. It left an indelible impression on me and I continue to use this poem as an example for people when groups allow other groups to be ganged up on and have their rights taken away.

Even more remarkable is that while attending college at Cal Poly, I would take summer classes at the local community college to get credits and save money. Took 2nd Semester Freshman lit and guess who my teacher was…yes, Mr. Ogden himself. He is a remarkable man and I have total respect for the man.

He is still teaching I believe in Costa Mesa at the Coast Community College.

I was unable to verify this biographical information about Ogden.

Though a poorer-quality version of the film exists on YouTube, this was uploaded to the Internet Archive by the Academic Film Archive of North America.

Your Limbs Will Be Torn Off in a Farm Accident by Zachary Schomburg

Always good to see an accomplished poet who’s also adept at filmmaking. The poem is from his second book, Scary, No Scary.