Posts By Dave Bonta
Question by May Swenson
http://vimeo.com/31974260
Another video from Dara Elerath at the Art Center Design College in Albuquerque. The full poem includes an additional two stanzas at the end — read it on the Poetry Foundation website.
34 by Patricia Smith
Patricia Smith is both a master poet and a master performer. Would that all poets read this well! The poem is from Blood Dazzler. (Hat-tip: Sherry Chandler.)
Silliman reviews Howl
Ron Silliman has posted a review of the new film about Allen Ginsberg and his famous poem.
I saw the best exposition of a poem in a major motion picture, Rob Epstein & Jeffrey Friedman’s Howl, coming to art theaters starting on the 24th & also, I believe, available thru various video-on-demand services. Howl is also perhaps the only major motion picture I’ve ever seen that is, in both form & function, the close reading of a text. I have never seen a film based on a work of literature that even remotely approached Howl’s devotion to the words on the paper. If you’re a writer, or care about poetry, you are almost certainly going to love this film. Howl was made for you, with intelligence & more than a little cinematic bravery, and it shows. Howl is a wonderful motion picture.
It is a lot harder, however, to imagine Howl appealing to a broad audience. Virtually every word in this film comes directly from the poem itself…
…which makes it essentially a feature-length videopoem, at least according to the minimal definition I employ at Moving Poems. Do go read the rest of what Ron has to say. It sounds like a very exciting film!
Rain by Hone Tuwhare
https://vimeo.com/25072181
This is actually the second time I’ve posted a video for this poem by the great Maori poet, and it might be worth looking at the other one — a fairly straight-forward kinetic text piece — before watching this one, where the text is whispered and fugitive. But this film is superlative in every way, an astonishingly gorgeous piece that must be watched with the volume up and the video expanded to full-screen. According to the notes at Vimeo,
Rain is the first of Maria-Elena films in which she explores our connection with Nature, human-nature and the idea that everything in the universe is interlinked……..Rain was made in 2006 as the final year project of the Graduate diploma in digital animation at Unitec Auckland…. Maria-Elena has just completed her next film Meniscus
Some thoughts on videopoetry
Made today on the spur of the moment for my Vimeo profile page, but I thought it might be worth sharing here, too. There are so many things I neglected to say, though — such as, where aspiring videopoem makers might find good poems, or the historic role of the avant garde in shaping the genre — that it’s kind of painful for me to watch. I should do something a little longer and better prepared for the About page of Moving Poems.
New “motionpoems” to be unveiled October 8 in Minneapolis
“Motionpoems” is the term preferred by filmmaker Angella Kassube and poet Todd Boss at motionpoems.com for what the rest of us variously call videopoems, film poems, cinepoetry, etc. Kassube and Boss are responsible for a number of quite lovely films illustrating not only Boss’s own poems, but a growing number of others’ as well. They’re helping to raise the bar for mainstream poetry animation in the U.S.
Click through to their website for a description of the upcoming screening event (which I can’t copy-and-paste from or directly link to because it’s a Flash-based site). The list of films to be screened looks tantalizing — poems by Jane Hirshfield, Terese Svoboda, Alicia Ostriker, Thomas Lux, and Robert Bly are among those featured. I hope we can expect to see them at motionpoems.com and on YouTube after their Minneapolis debut.
(Update) Angella Kassube provided some additional detail about the event in an email. She wrote:
The really groovy thing about our screening is it is actually a great discussion about poetry and interpreting poetry. Everyone talks about how their piece came together, the audience is engaged and they ask great questions and have great comments. It’s an incredible evening—we expect about 150 people to be there.
“It is a lot of work,” she added about the motionpoems project in general, “but Todd and I just keep going.” I hope anyone in the upper Midwest who can make this screening will turn out and support them.
Peacock and Fish by Hafez
http://www.youtube.com/watch?v=PUhaF1JI5r8
(English-dubbed excerpt)
This is Tongue of the Hidden, directed by David Alexander Anderson with calligraphy, translation and narration by Jila Peacock and animation by Florian Guibert, assisted by Jerome Dernoncourt. See the film’s webpage for complete credits, stills, storyboard, and more.
The poet Hafez, also known as the Teller of Secrets, used the language of human love and the metaphors of wine and drunkenness to describe his desire for the Divine and intoxication with the mysteries of the Universe. […]
Hand-drawn Farsi (Persian/Iranian) calligraphy is imported into the computer and forms the basis of constructed landscapes, and animals that move within landscapes. Software was Studio Max, Maya, XSI and After Effects.
According to a page on Jila Peacock’s website, “The film was premiered at the National Film Theatre in October 2007 as part of the London Film Festival and as part on Animate TV on C4 in December 2007.” See also the section of her site on her handmade artist’s book Ten Poems From Hafez.
Rush Hour by Thylias Moss
http://www.youtube.com/watch?v=PdoZbbZfnFs
Moss writes,
A video poam that explores the simultaneous and related journeys of workers from two social strata whose need of each other does not include the exchange of essential aspects of identity.
She also uploaded another version, “Rush Hour (too).”
Ode for Ironing (Oda para planchar) by Pablo Neruda
This is a film called Saccharine, directed by Raivan Hall with camera work by Josh Hittleman.
The poem is not from Neruda’s Odas Elementales, but the later Plenos Poderos from 1962. Here’s the Spanish and here’s an English translation by Jodey Bateman. The film uses the translation by Alastair Reid, which carries a less literal title: “In Praise of Ironing.”
As with any popular poet, there are a ton of Neruda videos on YouTube, but most of them are, um, not so good. So it’s a real pleasure to see a professionally made film with a Neruda poem in the soundtrack.
Confused Rain by Nam June Paik
nam june paik’s confused rain (1967) was the chaotic distribution of the letters C-O-N-F-U-S-E on a sheet of paper.
clint enns’ confused rain (2008) is a posthumous collaboration with nam june paik that expands paik’s work into a computer program that produces an animation of the letters C-O-N-F-U-S-E falling like rain drops.
this was written in visual basic.
For more on the Korean-American artist Nam June Paik, see the Wikipedia, which says he was “considered to be the first video artist.” For more on Clint Enns, see his Vimeo page.
Coney Island by Andrew Marotta
Interesting Beat-like, collaborative approach to videopoem-making by poet Andrew Marotta and filmmaker Brandon Knopp, who captured all the material for both the poem and the film in one day, according to Brandon’s note:
Working together on a project created during a day spent at Coney Island. Filmed and written in one outing.
