A stunningly beautiful animation by Emma Burghardt, who also animated “Old Astronauts” by Tim Noland. (Remember to support MotionPoems with a donation, if you can.)
Julianna Castigliego notes that this was an “Emerson College Film 1 final film project. 16mm. Shot on Bolex. Edited on Steenbeck.” This is the same poem, translated by Stephen Tapscott, that was featured in the motion picture Patch Adams.
High school student Wiyaka His Horse Is Thunder recites the poem as part of the Poetry Out Loud national recitation contest, in a slickly produced video directed by Tony Brave for KOLC-TV of Oglala Lakota College. As Sheehan notes in an essay about the poem, the poem has become a favorite with students in the competition.
The artist, identified only by his Vimeo handle miaoniu, explains that the installation is so rigged that when anyone approaches it, the “Death By Water” section of “The Waste Land” is dunked into a tank of water, and slowly rises when the audience departs. “As time passed by the poem will dissolve and disappear finally.”
Call me simple-minded, but I love the literalism here. I only wish the video included a time-lapse segment so we could watch the wasting of “The Waste Land.”
Raymond McDaniel reads a poem from his collection Saltwater Empire, which recently came under attack for its use of Katrina survivors’ words as “found poetry.” He defended himself here. It’s interesting that despite the huge volume of commentary both essays attracted, on the Poetry Foundation site and elsewhere, this video from his collection (albeit for a different poem than the lengthy one under attack) had been viewed just six times in the 19 months since it was posted on YouTube. It’s almost as if all the people criticizing McDaniel have never made even a cursory effort to familiarize themselves with his work.
This is Part 1 of the poem — a dramatisation which I think it is safe to say Ginsberg would’ve loved. The filmmaker, Caroline Petters, is a professional photographer.
Robert Hedin translated the poem from Norwegian, and Jay Orff made the video for Motionpoems. See Willow Springs Literary Magazine for the text in both languages and Straumsvåg’s discussion of its origins.
MotionPoems is currently holding a fundraiser to support its video artists.
MOTIONPOEMS was co-founded in 2008 by Todd Boss (poet) and Angella Kassube (artist, animator, artistic director, and producer). Our roles are primarily curatorial. Since 2008, we’ve paired poets with video teams to develop nearly two dozen one-minute films from poems by Robert Bly, Jane Hirshfield, Marvin Bell, Freya Manfred, David Mason, and others. Over 30 artists have been involved in just the past two years alone.
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BUT WE NEED YOUR HELP! We want to start paying a SMALL STIPEND to our technical and video artists. Many of them are putting more than 100 hours into these projects, outside of the 40-hour work week! We want to reward them for their passion, their creativity, and their willingness to take an artistic risk. Our video artists are our greatest asset, a key to our growing success. We’d like to show them that our community loves and supports their extensive investment in MOTIONPOEMS.
Sometimes, a videopoem is so damn good, it doesn’t matter if you can’t understand a word of it. This is one such videopoem. Lucette Braune directed.
Si Clark animates. According to an online bio, Amie Saramelkonian
lives in the South West of England with her husband and two cats. Until recently the majority of her publications have been in scientific and engineering journals. She writes predominantly poetry, but also writes shorts, has several unfinished novels and is currently working on a screenplay.
I do believe Michael John Muller found the perfect text for this fun little experiment: the title poem for Roethke’s collection of poems for children.