Posts By Dave Bonta

Dave Bonta is a poet, editor, and web publisher from the Appalachian mountains of central Pennsylvania.

Two poems (personality fragmented and notes from a taxi cab at 2 a.m.) by u.v. ray

U.K. photographer and musician gordon eightball made this wonderfully atmospheric film, with words and voice supplied by u.v. ray, whose website says he has been “a stalwart of the underground literary scene for 20 years.”

Three poems (Flute Boy, Marriage of Opposites and Half-caste) by John Agard

John Agard is joined on stage by the flautist Keith Waithe, a fellow Guyanan, in an extract from a film by Pamela Robertson-Pearce called John Agard Live!, which was included as a DVD along with Agard’s 2009 collection Alternative Anthem, from Bloodaxe Books. (There’s also video of Agard reading the title poem.)

New additions to the web resources page: video effects, videos from space, and Soundcloud

UPDATE (9/1): I’ve added close to a dozen more links in the past three days, courtesy of Nic.

  • I’ve updated the list of Web resources for videopoem makers to add some new links. I discovered last month that SoundCloud, the online audio-sharing site for musicians (and sometimes spoken-word artists), encourages members to apply Creative Commons licenses to their works and make them available for download (though frustratingly, some do the former and neglect to do that latter). Adding to the site’s utility for remixers and filmmakers is a very useful advanced search function, even better than ccMixter, so if for example you want to find a piece of electronica with French horns that’s licensed CC non-commercial, you can do that. The site overall is very comparable to Jamendo, but I think may have even more users.

A couple weeks ago, Diane Lockward let me know about a whole new category of free resources: prekeyed footage, brief stock clips and other video effects. I have so far included just the two sites she recommended, Footage Crate and Movietools.info; others I looked at seemed pretty spammy.

The most recent addition comes from Nic S., who has just made her first videopoem after being so heavily exploited often called upon to provide audio for videos by me and Swoon. In addition to the Prelinger Archives, Nic got the bright idea of using footage from the NASA Video Gallery, which, as I say on the resource list, looks like the go-to site site for videos of the earth from space and other cool spacey stuff. The site’s very easy to navigate, and every video has a download link.

Thanks, Nic and Diane! And if anyone else has a discovery to share, please don’t be shy.

This Was Supposed to Be About Karl, But It Didn’t End Up That Way, by Sherry O’Keefe

A film called “Nightvision” by Swoon Bildos, which he blogged about (in Dutch) here. Fortunately for us English speakers, though — and for everyone who’s been following Swoon’s work — the poet, Sherry O’Keefe, blogged a conversation with him about the process of making this video, how he got into videopoetry and more.

The poem originally appeared in PANK, and was recorded by Nic S. for Whale Sound. The video includes some camera work by Kristoffer Jansson and Keith Marcel.

Highway Coda by Matt Mullins

This piece began life as “a multi-faceted, collaborative project consisting of a prose poem, an experimental film, a musical composition, and an interactive interface” — see the lit-digital site for more. Matt Mullins specializes in what he calls script poems, and this semester will be teaching a creative writing course on “Book Trailers and Visual Adaptations of Literature” at Ball State University.

Interview with poetry-filmmaker Swoon

Montana-based poet Sherry O’Keefe has posted a great interview with the Belgian artist Swoon Bildos (Marc Neys) at her blog. Marc talks about his process, his background, and how he got into making videopoetry. It was gratifying to learn what a role Moving Poems has played in encouraging him. And Marc’s thoughts about what makes an effective videopoem are very much in line with my own:

I (most of the time) try not to use obvious images. For several of my videos I used ‘city-landscape and crowded places’ where the poem is more ‘rural’, It often surprised viewers, but they like it on a second note.

I catch myself thinking in the same way; for instance for ‘The Universe’ (my last video, Poem Neil Ellman) I thought about using Ice, Northern light,… I even tried it out…then said no and turned it around.

It’s that turning around that I’m not afraid of. Be prepared to turn your work around, inside out…but with a gut-feeling.

Read the rest.

Happiness by Jorge Luis Borges

http://www.dailymotion.com/video/xde4fp_jorge-luis-borges-happiness_creation

Today’s Google Doodle commemorates the birth of Borges:

“Wishing Jorge Luis Borges a happy 112th birthday!” Google tweeted early this morning, adding a well-known Borges quote: “I have always imagined that paradise will be a kind of library.”

I shudder to think what this arch-conservative and biobliophile would’ve said about videopoetry, let alone digital texts. But thanks to a Facebook contact, I saw this video and thought it worth sharing. It appears to be a quite illegal upload (and re-branding) of a snippet from the documentary Art, Poetry and Particle Physics, narrated by John Berger and directed by Ken McMullen. However, the uploaders do at least acknowledge the theft, and also reproduce the text of the translation by Stephen Kessler used in the documentary. [The YouTube user account was terminated for copyright violations. I swapped in a DailyMotion version on 15 August 2014.] And it’s a very effective selection, I thought — it works well on its own as a videopoem, even with the apparent non sequitur by Berger at the end about Borges’ lack of interest in 20th-century science.

“Bound is a Boatless Woman”: tribute to Látra-Björg

Neither a filmpoem nor a bio pic in the conventional sense, this six-minute film by Lisa Castagner, an artist from Northern Ireland, invokes the life and spirit of a fierce, 18th-century Icelandic poet I’d not previously heard about. Google Translate isn’t much help in deciphering the Icelandic Wikipedia page, except to impart the information that her given name was Björg Einarsdóttir, and “Látra-Björg” means something like “Trees, Boulders.” Fortunately, Castager’s description at Vimeo is a bit more helpful:

The title originates from a Viking proverb ‘Bundinn er bátlaus maðu’, meaning ‘Bound is a boatless man’. Likewise, a woman without a boat is a prisoner.

Látra-Björg was an 18th Century outcast fisherwoman who wrote poems believed to cast spells on those who crossed her. Fisherwomen were required to wear their skirts regardless of practicality, so they often defied the law and removed them at sea. Látra-Björg lived and died a beggar in an isolated northern fjord of Iceland during the ‘Mist Famine’ which forced many to emigrate to Canada.

I made the piece as an imaginative interpretation of Látra-Björg’s poetry and story while I stayed in that part of Iceland; her most well-known poem is ‘Fagurt er i Fjörðum’ (‘Tis fair in the fjords), a verse describing the beauty of the fjords when the weather is fair, until the extreme hardships of the winter, ‘when man and beast must die’.

Secret City Names by Joanne Hsieh

http://www.vimeo.com/27707871

A quirky dance video from 2009 directed, edited, and acted in by the poet, Joanne Hsieh, assisted by Micah Seff on camera and Marissa Mickleberg as the other player. Hsieh also created the soundtrack.

The Half-Mad Aunt by Seni Seneviratne

Seni Seneviratne reads a poem from the forthcoming anthology Collective Brightness: LGBTIQ Poets on Faith, Religion & Spirituality (Sibling Rivalry Press), uploaded to Vimeo by the editor, Kevin Simmonds. (Browse all the videos Simmonds has made for the anthology so far on the Collective Brightness website.) The film is by Laura Richardson.

The Universe by Neil Ellman

Swoon Bildos’s latest videopoem credits

McDonsco, Double Jack Black, Citizen Exeptional for their images.

Respect for the people of Sandy River Lolo Pass, St. George and all the other places that get flooded these times.

The reading by Nic S. was produced for Whale Sound, and the poem may be read at its original site of online publication, Bolts of Silk. According to the bio at Whale Sound,

Neil Ellman is a retired educator living and writing in New Jersey. His poetry appears in numerous national and international print and online journals, in addition to four ekphrastic chapbooks.

Swoon blogged (in Dutch) about the making of this video here. Originally, he said, he thought of using imagery of the northern lights over snow and ice, but slowly shifted to the idea of a storm moving through trees. I’m pleased he went with his second thought and not the first, which would’ve been much too obvious a match with the poem, I think. It takes a lot of guts to try to envideo a poem called “The Universe.” I thought the closing image was especially effective.

Physicist (Физик) by Sergei Timofeyev

Diana Palijchuk and Artur Punte added English subtitles to this Russian-language videopoem from Latvia, part of the Orbita 4 collection, which won the Latvian Poetry Prize in 2005, according to the website for the Orbit multimedia poetry collective and the invaluable services of Google Translate, which rendered this bio for the poet, Sergei Timofeyev:

Born in Riga in 1970.

Poet, author of five books of poetry (three of them were published in Riga and two in Moscow and St. Petersburg). He participated in many poetry festivals – in the UK, Holland, Sweden, Ukraine, Germany, Slovenia, Georgia, etc. Translated into the languages ​​of those countries. In 1999 he became one of the organizers of a multimedia poetry project “Orbit”.

One of the first post-Soviet area began to develop the genre of poetry video (the first work – “Orchestra Rehearsal” was filmed and assembled together with director Victor Vilks in 1995). Other poetry video (in the poem “Light”) was involved in the finale of the festival poetic video “Zebra” in Berlin in 2001.

In 2003 he joined the short list of Russia’s Andrei Bely Prize. Along with the rest of the project “Orbit” was in 2005, the Latvian Poetry Prize for audio-video collection “Orbit 4.”

Continuing the theme of multi-media experiments with poetry, in 2007, has pioneered the development of the computer game “I am – Text”, and in 2008 and 2009, together with Arthur Punte realized poetic installation “Room-time” and “Energy Independence Poetry” at the Annual Forum of Contemporary Culture “Balta Nakts”.

Wrote some lyrics for songs by the band “OgneOpasnoOrkestr“, Brainstorm and Intars Busulis. His poems were published in a number of Latvian, Russian and international anthologies: “Dzejas Diena”, “Freed Ulysses,” “Nine measurements”, “This Same Sky (80 poets from 30 countries)”, “A Fine Line: New Poetry from Eastern & Central Europe”, “La Nuova Poesia Russia”, “Hotel Parnasus”, “Ord och spår (Words and Steps)”, etc. A short prose published in German in the book “Sprache Im Tehnischen Zeitalter”.

The most complete collection of texts written before 2005, is available here.

Sergey also oversees the poetic program “North-South” during the annual Days of Latvian poetry.

Thanks to Artur Punte for emailing and alerting me to what sounds like a thriving videopoetry and multimedia community in Latvia. This September they will hold their fourth Word in Motion event in Riga. Here’s some more background on the group, from a document Artur attached to his email:

Orbit (rus. Orbita) is a creative collective of Russian poets and artists whose works are dedicated to dialogue between various creative genres (music, video, etc.) and cultures. The collective came into being in Riga, the Latvian capital, in 1999. Since that time Orbit has published a number of eponymously titled almanacs in which literary works appear side by side with works of visual art (photography, graphic work, painting). Additionally, Orbit has organized three “Word in Motion” festivals of poetic video and multi-media art in Latvia (in 2001, 2003 and 2007); issued three audio compact discs and a collection of poetic video clips on VHS (2001) and DVD (2005); created several multi-media poetry installations for public exhibition; produced a number of bilingual (Russian-Latvian poetic publications; issued an anthology of contemporary Russian poetry in Latvia—at one and the same time a unique study of this phenomenon; and published a number of other works.

Orbit actively participates in Latvian and international cultural life. Members of the group have been published in many European countries and are frequently invited to European literary and artistic festivals—including, for instance: the International Moscow Poetry Biennial, the Berlin Poetry Festival, the Gothenburg Book Fair, the ARS Festival in Bratislava, the White Nights in Madrid, TARP in Vilnius, the Book World Festival in Prague, and many others. In Latvia Orbit’s achievements have been recognized with the Annual Literary Prize of the Union of Latvian Writers in 2005, the Annual Prize for the best photography album in 2006 and for the best photography exhibit in 2007, as well as a number of prizes for book design and various other literary and artistic awards. Since its founding Orbit appears in literary and multimedia performances in conjunction with invited musicians and video-artists.

The site www.orbita.lv (in Russian) provides an introduction to the works of the group.