Posts By Dave Bonta
Uncle Harry’s Tombstone by John P. Tuschen
Jordan T. Caylor writes in the video description,
I recorded my dad reciting his poem “Uncle Harry’s Tombstone” at the end of his stint as the poet laureate of Madison, Wisconsin- this is my visual interpretation of his words.
Exodus (excerpt) by Benjamin Fondane
Remember only that I was innocent
and, just like you, mortal on that day,
I, too, had had a face marked by rage, by pity and joy,
quite simply, a human face!
A striking, abstract envideoing of the excerpt from Fondane’s Exodus inscribed at the Hall of Names at Yad Vashem, the Holocaust museum in Jerusalem. Hadas Zarbiv, the filmmaker, said she produced this in collaboration with Yad Vashem, which would account for the language choice.
Benjamin Fondane was a surrealist poet and existentialist philosopher in France, part of what the English translator of Exodus calls “the extensive Rumanian contribution to French intellectual life” in the 20th Century, which includes such luminaries as Tristan Tzara, Constantin Brancusi, E. M. Cioran, Mircea Eliade and Eugene Ionesco. The Wikipedia article is also quite extensive.
Moth by Katie Frank
http://vimeo.com/39317127
Film by Jessica Bass; poem and performance by Katie Frank.
Channeling Gertrude by Tom Konyves
Swoon turned the tables on the renowned videopoet Tom Konyves here, making a video with a text and reading by Konyves. “Channeling Gertrude” was published in qarrtsiluni at the end of February, as part of our Imitation issue (which is still being serialized). Konyves’ description of how the text came about is worth quoting in full, I think:
An unusual experience prompted the writing of this poem — hearing the voice of someone we have never met. For me, it was the voice of Gertrude Stein. I managed to capture only one brief statement: ‘make a name for yourself.’ What followed was a torrent of words that astonished me; it was like being caught up in a whirlwind. Almost faster than I could record them, repeated phrases — with minute modifications — swirled through my mind and onto the page. When it was done, it was as if the words had been written by another. I then truly understood Rimbaud’s famous phrase, ‘Je est un autre.’
Swoon said a little bit about his process in a blog post:
I used recordings of reflections on the window of a train in a tunnel, mixed with an excerpt of recycled images from a video I had made a half years ago.
may i feel said he by e.e. cummings
This is You and Me by Karsten Krause, which uses footage of her taken by Hans Krause. As the description at Vimeo puts it: “A woman is walking towards her husband’s camera for four decades. A love story on small gauge film.”
See here for the text of the poem.
Precious Are The Feet of Those… by Kwame Dawes
Another in the Voices from Haiti series produced by the Pulitzer Center, exploring life after the earthquake and focusing on the lives of those affected by HIV/AIDS, with poetry by Kwame Dawes, images by photographer Andre Lambertson, editing by Robin Bell and music by Kevin Simmonds. See YouTube for the text.
just midnight by Robert Lax
An interesting solution to the problem of how to envideo a poem whose typographical arrangement was very important to its author. Susanne Wiegner notes at Vimeo,
“just midnight” is a poem by Robert Lax that describes a temporal and spacial situation by very minimal means. For Robert Lax the composition of the letters and words on the paper was very important. And so he created one of his vertical typefaces, that was transferred for the film. The letters become spaces and actors, crossed and circled by the camera. Step by step a three-dimensional formation of words is generated and disappears again in a sheet of paper.
The film has been very widely screened — click through for a full list of festivals and awards.
Billy Collins and his animated poems at TED conference
You’ve probably seen these animations before — if not, check out the dedicated site Billy Collins Action Poetry, or watch them (and others) on Moving Poems. What I found interesting here was Collins’ explanation for why he decided to let the animators go ahead and illustrate his poems, since in general he didn’t understand why a poem would need to be animated. His remarks evince little familiarity with the genre, and in questioning why any poem would need to be illustrated in this manner, strangely echo Ron Silliman’s criticism of one of them:
Thus Billy Collins’ The Dead is animated by Juan Delcan, neither poem nor cartoon threatening to break any new ground whatsoever. … [It’s] nothing more than a reading of the piece over which a cartoon has been superimposed.
But he gave in because he says he’s always loved cartoons, and because he figured it would bring his poems to a wider audience.
Advertising Lullaby by George Carlin
Found text has played a central role in the development of videopoetry, so this montage of advertising tropes by the late comedian George Carlin becomes a full-fledged poem merely by adaptation to the kinetic-text medium. An inspired choice and execution by Jenny Lien.
