A neon animation by Jack Feldstein based on a poem by Philip Dacey.
An award-winning film by Dutch filmmaker and artist RJ (Jetze Roel van Assen).
The popular arts and culture magazine The Rumpus has a regular feature called “The Last Poem I Loved,” and the April 26 installment, by Dena Rash Guzman, focuses explicitly on the film version of a poem. This is of note not simply because it will be widely read, but because such detailed and highly personal reader/viewer responses to videopoems are far from common.
I didn’t really read the poem. The poem is a movie, too. I heard and saw and loved the poem.
It was like me. I was the poem already; my own limbs had been torn off when I moved to a farm in the Oregon woods, where I became a sort of tree. That reads as little bit new age, but I can explain the metaphor no better than Schomburg does in his poem-film. It is his own. It could be a redneck metaphor, or a hippie one, an academic one, or a Freudian one. Sometimes a metaphor is just a cigar.
I mean only to say, I met this poem at a time when it might have saved my life and I have returned to it many times since for CPR.
Lebanese filmmaker Eliane Raheb directs. From the Free Arab website:
Since the start of the revolutions, Friday has become a symbolic day for all Arab protestors, it is the day to take down the streets and ask for changing the regime. From his refuge in Beirut, Tarek who is unable to demonstrate against the regime in Lattakia, uses his pen to write a poem, in tribute to the protesters everywhere in Syria
http://vimeo.com/40176696
(English version)
http://vimeo.com/39052134
(Dutch version)
Kris J. Yves Verdonck used “stopmotion, pixilation and edited images of Eadward Muybridge,” and notes that the “English version is slightly different from the Dutch one.”
The graphics exist to support the soundtrack here, but I still thought it was an effective videopoem. Ryerson University film student Adin Dell advises, “Put on some headphones or turn up the volume to really hear the ‘soundscape.'”
Filmmaker Hannah Lovell notes that this is
A short extract from “The Hamlet”, a 25 minute documentary-poem collaboration with my mother Melinda Lovell, combining poems written and footage gathered over many years while living in a small hamlet in the south of France.
For more extracts from the project, see Hannah’s Vimeo page. Mother and daughter also run a literary micropress together, Inchivalla Press.