http://vimeo.com/43880844
The reading isn’t perfect, but the imaginative shot selection more than makes up for that, I think. And while most student videopoems come out of film classes, this was unusual in that it was made for a literature class, according to the brief description at Vimeo.
For more on the poet, see her website.
A series of poems by four UK poets that were all prompted by the same exhibition, “12 Heads and the Reynard Diary,” by artist Susannah Gent, at Bank Street Arts, Sheffield. The poems are:
“Taxidermy” – Jenny Donnison
“Taxidermy I, II, III” – Angelina Ayers
“Notes on Taxidermy – A Poem Found in Susannah Gent” – Noel Williams
“Young Red and the Urban Fox” – Helen Cadbury
“Teumessian Fox” – Jenny Donnison
Mark Gittins recorded the poets and made a video, but passed it on to the composer, Lyndon Scarfe, without the recordings, which were only combined with his sountrack at the very end — an interesting process.
Alastair Cook‘s 20th filmpoem uses a text and reading by Robert Peake. The film is due to premiere at the Felix Poetry Festival in Antwerp on June 15.
The poem’s back-story is fascinating. Let me quote from the first couple of paragraphs from Alastair’s description on Vimeo:
[P]rior to London, Robert lived in a small town full of artists in the foothills of the Santa Barbara mountains called Ojai (a Chumash Indian name meaning either “moon” or “nest”). He lived next to the directors of the local theatre company on one side, and a metal sculptor called Mark Benkert and his wife Marcia on the other. One morning just before dawn, a 400-pound black bear wandered through the theatre directors’ yard and out onto Robert’s street. He then climbed into a tree and became stuck.
Robert takes up the story: “he drew us all out, awed us with his presence, and brought us together as neighbours. Sadly, because it was also the first day of bear hunting season, he was shot out of the tree that night and killed by the wildlife “authorities.” Benkert swung into action, welding and cutting all night to produce a half-ton metal outline of a bear in rusted iron sheeting. Early the next morning, a capable rock climber, he hauled himself and the statue up the tree and placed it there–his bulletproof metal bear defying all. As far as I know, it is still in the tree. Mark and I became closer, and finally discovered that we held in common losing a son: my James in infancy, his Jonah gone at thirty-two from drugs and mental illness leading to suicide. The town commissioned Mark to create a bigger second statue to be displayed prominently.”
Richard van der Laan‘s “visual arrangement of Frisian poetry on moving canvas.” The reading is by Siem de Vlas, a Frisian landscape architect who also appears in the film, “working in his studio and visiting the grave of the famous dutch landscape architect Lucas Pieters Roodbaard (1782 – 1851),” as the description on Vimeo puts it. Here’s the original text of Durk van der Ploeg’s poem. As someone of (distant) Frisian ancestry, I was happy to find this videopoem.
http://vimeo.com/43268894
With spoken word videos, sometimes setting is everything. Ram Devineni filmed Alexander on the Highline in New York City for a Meena Alexander feature in Issue 3 of Ratapallax magazine. For more on the poet, visit her website.
Faith Eskola created this month’s Motionpoem for a poem by America’s preeminent contemporary formalist poet. See Motionpoems for the text and some process notes by Eskola in the comments.
Another selection from the performance “Nothing Twice” (Live Performers Meeting, Rome, May 2012) directed by Agnieszka “Bronka” Bronowska. The translation is credited to Stanisław Barańczak and Clare Cavanagh and the performers are Joanna Łacheta and Lulu Lucyfer.
A “mash-up-videopoem” by the indefatigable Swoon Bildos, focusing on “truth and fiction in the US…TV and violence…reality and fear.” The poem is from Howie Good’s Dreaming in Red. The video uses footage from Kansas City Confidential by Phil Karlson (1952) as well as CCTV from the security tapes of the fatal police beating of Kelly Thomas.
Animation by Amy Swapp and Fiona Hobson. (For the text of the poem with proper punctuation and such, see The Poetry Archive.)
This student film by Alex Robinson offers a new take on Blake’s “mind-forged manacles.”