A Neoprimitive Aesthetic: Matt Mullins’ presentation for the 2025 REELPoetry Videopoetry Festival

Matt Mullins’ videopoems have been a mainstay of this site since 2011, when I ran across his first one, Highway Coda, so it was fascinating to hear how he originally got into videopoetry and what he’s discovered along the way. He prepared this talk for the virtual-only portion of REELPoetry 2025, which ran from March 31 to April 9.

Matt has made a visually interesting presentation with overlays of the videos under discussion, and speaks fluently off-the-cuff (or from hidden notes, perhaps) rather than reading a prepared speech. The result is a real gift for students and scholars in the field, but more than that, I hope, an inspiration to other poets and filmmakers interested in upping their game.

Watch on Vimeo

I write poetry, I write fiction, I write screensplays, I am as I mentioned a musician, so I have this kind of unique skill-set. I’ve done a lot of film studies, I apprecite visual imagery, I appreciate visual composition, I appreciate sonic composition, I appreciate linguistic composition, and so back then, in 2010 or so, when I first stumbled upon this artform of videopoetry, I just kind of felt like I had found my home.

If you’d like to re-watch the films included above, here they are: Janet Leigh is Afraid of Jazz, Monster Movie, Semi-Automatic Pantoum and Beatnik Sermon.

Co-author:

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.