Janet Lees on collaboration in poetry film

still from The Hours of Darkness

Visit Liberated Words for a lengthy, fascinating essay by award-winning videopoet Janet Lees: “Joint forces: collaborating in poetry film.” Here’s a taste:

My Instagram tag is ‘everything is poetry’. Writing this piece, I’ve been thinking of changing it to ‘everything is collaboration’. I love what the poet Matthew Rohrer says about poetry: ‘I’ve come to believe that the writing of all poems is a form of collaboration’. He talks about collage poetry, ekphrasis and ‘collaborations with the voices that I heard on the brink of dreaming’. He asserts, ‘There is no creation out of nothing on this Earth. There’s only making new things in collaboration with other things.’

I’ve sometimes said that I stumbled into making poetry films and then stumbled into collaboration. Recently I’ve come to realise that this is not true (top fact: the Estonian word for making poetry is lluletama, which also means to lie). As a child I drew, painted and wrote poetry and stories as a matter of course. From the moment I was given my first camera, my beloved Grandad’s box Brownie, at the age of 11, I  took a lot of photographs too. I listened to music endlessly as a teenager – not all of it great, but most enduringly Kate Bush, David Bowie, Leonard Cohen and other similarly poetic songwriters. So there was some early cross-fertilisation going on between the three key elements of a poetry film: words, visuals and sound/music.

Read the rest.

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