Nine Moons by Janet Lees
Until recently I lived for many years in the Isle of Man, where my mother’s family is from. I was deeply drawn to the paintings of Breton-born Bruno Cavellec, who was widely acknowledged as one of the leading artists working on the island. I also greatly admired his illustrative work for album sleeves and book covers. Frankly, I was starstruck. When he approached me at an exhibition opening and floated the idea of us working together, it felt like some kind of celestial door opening (accompanied, of course, by the doom bell of imposter syndrome-induced terror).
This was the beginning of a collaboration that unfolded gradually over several years, and culminated in our first work together, Nine Moons, winning Best International Poetry Short at the recent Bloomsday Film Festival in Dublin. This was the first screening for the film. It was also one of the first public accolades for Bruno’s music, the art form which is closest to his heart and which he started working with in earnest just a few years ago, under the name of Mablanig.
Bruno says, “Ever since I saw Janet’s videopoems, I’ve been an admirer of her very distinctive style and powerful narrative. With her, it’s almost as if I discovered a brand-new language, so unique and expressive, which I find deeply moving and inspiring. Writing a score for her was a big dream of mine.”
The first couple of years of our collaboration didn’t involve any creative work – at least, not any concrete work. We knew each other’s work, but we didn’t know each other. While I was still living in the Isle of Man, we met a few times, most memorably in Bruno’s studio, surrounded by his work and his influences, and just talked. It became clear that there was a lot of common ground, and each time we met we dug down deeper into it.
Finally, about a year ago, we set out to make a film, collaborating via Zoom as by this time we were in separate countries. It was an ambitious collaborative project, a videopoetry triptych that was a kind of multilateral ekphrasis. We wanted to respond to each other’s work, which collectively included my poetry, film and photography, and Bruno’s music and paintings. We also wanted to include both our voices.
As we got into the work, Bruno suggested bringing even more of ourselves to the project, in the form of photographs of people who have left a mark on us. Thanks to his Photoshop skills we were able to combine these with some of my images that include frame-like devices, such as windows in old walls. These animated stills make up the third section of the film which for both of us is the most powerful and, in terms of how the music, visuals and text work together, the most seamless.
It was a profoundly affecting experience putting the whole film together, and particularly this section. While I was editing the sequence of images it was as though I was holding my breath, standing on the edge of another world. This was due in large part to Bruno’s hauntingly beautiful and transformative music, which I had playing on repeat the whole time. There’s something he does, an interweaving of darkness and light, sorrow and bliss – which suffuses his paintings too – that is absolutely in tune with my inner landscape.
This was a collaboration in the true sense of the word, and it came with challenges as well as huge rewards. When you are used to working in isolation, making all the creative decisions, it’s a big leap to sharing each step of the process with someone else. I had to consciously let go of both my fear of being creatively ‘wrong’ and my need to control, which I know comes from a need for psychological safety. For me, this wasn’t actually as difficult as I’d expected, because of the trust between Bruno and myself. Fear kills the creative impulse. In hindsight, because we had spent a lot of time not actually doing anything together but just being together, the space we created for the work to grow in was a fertile one.
BIOS
Janet Lees is a lens-based artist and poet. Her films have been selected for festivals and screenings including the ZEBRA Poetry Film Festival, the International Videopoetry Festival and the Aesthetica Art Prize. In 2021 she won the Ó Bhéal Poetry-Film competition, and in 2024 the first prize at Filmetry Festival. Her poetry is widely published in journals and anthologies, and her art photography has been exhibited around the world.
See more of Janet’s poetry film work here.
Mablanig is the music output of Breton artist and illustrator Bruno Cavellec. After 25 years of designing album covers and film posters, he is now embracing his new career as a composer, and released his first album in 2022. Described as cinematic and atmospheric, his textured compositions are often permeated with a strong sense of drama.
Hear more of Mablanig’s music here, and see more of Bruno’s paintings and other artworks here.
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Janet Lees is a lens-based artist and poet. Her films have been selected for festivals and screenings including the ZEBRA Poetry Film Festival, the International Videopoetry Festival and the Aesthetica Art Prize. In 2021 she won the Ó Bhéal Poetry-Film competition, and in 2024 the first prize at Filmetry Festival. Her poetry is widely published in journals and anthologies, and her art photography has been exhibited around the world.
See more of Janet’s poetry film work here.
