~ March 2022 ~

waxing gibbous 97% illuminated by Yolanda Movsessian

This film by Mitchell Collins, with poetry and recitation by Houston-based poet Yolanda Movsessian, won the Judge’s Prize at REELpoetry Houston 2022.

Tango Two & The Singer’s Hands by Gary Barwin

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It’s fascinating to see what an imaginative experimental poet can do with a given text. The contrast in visuals here couldn’t be more striking, but the text beginning with “life is long” is identical (though The Singer’s Hand does begin with a separate text as well). Gary Barwin explains what he was up to with the latter in a blog post:

Of course, Ukraine has been on my mind lately, like it has been on everyone’s mind. Yesterday, someone on my Facebook feed posted a field recording of an old Ukrainian woman singing. I was very struck by the song and her haunting voice as well as by her powerful presence. However, the thing that struck me the most was her hands: strong, thick and always moving as she sang. They were very expressive: a life, emotions, age, strength. So, I made this video using two of my poems which I feel relate to loss, strength, war, grief and love; I feel like they connect to a sense of what is happening now.

I used a close-up of this singer’s hands in this video as well as introducing other visual elements. The music is a remix that I did (adding various clarinets and saxophones plus a bunch of electronics) to a recording of a rehearsal which my sister-in-law Pam Campbell sent me of her singing with her group Tupan.

The post goes on to share both poems as plain text, “Blue Train” and the untitled one from “Tango Two.”

For more on Gary Barwin (including links to his books), visit his website.

Utility Pole by Fiona Tinwei Lam and Mary McDonald

A very effective collaboration between two Canadian poetry filmmakers, Mary McDonald and Vancouver poetry laureate Fiona Tinwei Lam. Here’s the description from Vimeo:

Utility Pole is a poetry film collaboration between poet Fiona Tinwei Lam and poetry filmmaker Mary McDonald. Utility Pole explores the transformation of trees into the poles that hold our communications, the many branched network that connect us, as the trees have been severed from each other and their own living networks.

The soundscape is a binaural, 360 soundscape featuring a mix of urban forest sounds, with the sounds of technology today and the pointed call of Morse code, our earliest technologically enabled transatlantic communication. Morse code recording is from Freesound.org credits, Bryce835.

This was featured at the indispensable Poetry Film Live site. Go there to read the poet-filmmakers’ bios. As they note, the text of the poem appears in Tinwei Lam’s third collection, Odes & Laments.

Bullets by Brayden

For World Poetry Day, here’s an Ohio preschooler’s poem animated by Ukrainian artist Stas Santimov. It’s from a project called Preschool Poets:

Old snakes, loose teeth, hot tubs, and ugly people in your face.
This is the world when you are four.

For nearly a decade, resident artist Nancy Kangas led a poetry program for preschool-aged children at Columbus Early Learning Centers on the near east side of Columbus. She was struck with how clearly her kids wrote about what they loved and feared. They want bullets to relax, lions to roar, and kids to climb up to the sun.

Nancy and documentary filmmaker Josh Kun asked award-winning international artists to animate these poems, and the resulting hand-crafted animations show a depth and complexity of expression we don’t expect from four-year olds. The films are fueled by the children’s untethered imaginations, but they open a portal to the real world of growing up in the inner city.

Thanks to Maria Popova for highlighting this. You can read the text of the poem there, or at the project site.

Dobre mašine / Good Machines by Ana Pantić

I’m surfacing after a long hiatus to share the latest author-made videopoem by Serbian poet Ana Pantić, who included this description at YouTube:

Poetry film Good Machines (Dobre mašine)

Ana Pantić – poem, voice, film
Nebojša Anđelković – original music, sound editing
Milan Bogdanović – sound editing
Videopoezija, Belgrade 2022

This poetry film, composed of only two clips, highlights subconscious thought processes activated by everyday mechanical actions. The poem came about after the video, although this kind of creative process is considered to be the reversed one, I find it quite inspiring.

This appeals to my metalhead side as well as my poetry side, with lyrics that wouldn’t be out of place in a modern death metal album. In times like these, maybe that’s what we need? I know it’s what I need!

Call for work: Living With Buildings festival

Living With Buildings logo

From FilmFreeway:

A festival of films exploring how people interacts with buildings and urban spaces in the public realm. We aim to screen short films/poetry film that investigates how we experience the build environment.

[LIVING WITH BUILDINGS is brought to you by the Disappear Here poetry film project]

We’re looking for work up to 5 mins in length, anything between the poetry-film, experimental, short-documentary strands of film-making. The project is rooted in the UK city of Coventry, famed for its ringroad, modernist architecture and reinvention as a city rising from the ashes and ruins of arial bombing in World War Two – we are happy to consider work from citizens all around the world.

The psychopathology of underpass and overground.

Floating towers holding up the sky.

Living With Buildings.

Finding our way(s) through the subterranean culture and dead roads with no ending.
Exploring internal tensions between regeneration and gentrification.

Remaking and remodelling urban spaces as forces of commerce or gentle revolution take hold and fight for ownership.

Where does the citizen fit into these processes; and how do we interpret or express their experiences of the ground shifting beneath their feet.

Find out more about the Disappear Here project – http://www.disappear-here.org

VENUE
LTB SHOWROOMS (above the Litten Tree pub) – COVENTRY – CV1 1EX – 1 Warwick Road

Please submit one film only – max five minutes in length – we will consider longer documentary work – but please enquire first.

Films must meet the subject theme – this is open to interpretation but expect film-makers to read the submission information for guidance.

The project selection decisions are final.

The deadline is 6 April. £5 to submit, or £4.50 if you’re a student. Here’s the link.