~ June 2018 ~
Poem in which we hear the word ‘drone’ by Josephine Corcoran
This is the latest in a series of videos by Helen Dewbery and Chaucer Cameron for collections of poetry from Nine Arches Press, which just celebrated its tenth birthday with the publication of the book excerpted here: What Are You After? by Josephine Corcoran. (It’s a lovely collection, incidentally; I just bought a copy and began reading it yesterday. Always good to support a fellow blogger and late bloomer!)
Cities, This City by Joel Oppenheimer
This latest and I think most ambitious of Daniel Cantagallo’s remix-style cinepoems is accompanied by a thoughtful essay on Medium, “Don’t Touch the Poet | Joel Oppenheimer’s New York“. It begins:
Joel Oppenheimer knew cities…actually one in particular…New York City…and to be more specific “New York City below 14th Street”, in that once bohemian enclave of the 60s and 70s where he could do what he did best: be there when it happens and write it down.
Despite his relative obscurity today, Oppenheimer was a legendary figure of the West Village art scene, a Black Mountain College attendee, a regular columnist for the Village Voice, the first director of St. Mark’s Poetry Project on the Lower East Side, and yet still, he never quite received the recognition he felt he deserved in his time, let alone ours.
I came across the off-the-cuff, propulsive energy of Oppenheimer’s “Cities, This City” on UbuWeb from a 1976 reading at St. Mark’s Church. His elegiac affection and tough-talking ambivalence about urban life spoke to my feelings about New York after too many years sprinting a marathon on its hamster wheels with over 8 million other hamsters.
Solstice Sol Invictus by Lucy English
Hush. Even in the dark days, there is hope.
Think beyond the light failing on this grubby afternoon…
A film by Sarah Tremlett for Lucy English‘s massive, multi-filmmaker collabortive project The Book of Hours.
Every Day by Robin Coste Lewis
The physical and spiritual planes intersect in Ryan Simon‘s meditatively paced adaptation of a poem by Robin Coste Lewis, part of Motionpoems’ Season 8, “Dear Mr. President.”
Dear White America by Danez Smith
This may be a basic video (from the livestream by Katalogon of Poetry International Festival Rotterdam, 2 June 2018), but it is nevertheless essential watching: a master poet at the top of his game calling out the rot at the heart of the American dream. The text is from Danez Smith’s award-winning collection Don’t Call Us Dead and has been reprinted online at Literary Hub.
Updates from Art Visuals & Poetry / Vienna Poetry Film Festival
It’s the off-year for the biannual Poetry Film Festival in Vienna, but that doesn’t mean they’re sitting on their hands. Here’s the English-language portion of their latest emailed newsletter:
The preparations for the next Poetry Film Festival in Vienna have started. During the festival pause there are several poetry film screenings in Austria:
August, 15, 2018 Millstatt, Carinthia – curated by Hubert Sielecki
September 27, 2018, Austrian Society of Literature Vienna – curated by Anita C. Schaub
October 9, 2018, International Poetry Film screening, Künstlerhaus Vienna – curated by Sigrun HöllriglFor the ones, who want to submit again to the next poetry film festival. The submission period will start around begin of December 2018 and will last appr. until April 2019. The next festival will take place in November 2019 at Metro Kinokulturhaus Vienna. Keep in touch with informations in English on www.poetryfilm-vienna.com.
Coyote Wedding by Brittani Sonnenberg
A poem by Austin, Texas-based writer Brittani Sonnenberg adapted for the Visible Poetry Project by UK artist Jane Glennie. “A key technique in her films is to take hundreds of photographs, which are edited and sequenced into rapid ‘flicker films’ and combine them with composite soundtracks,” as Gklennie’s bio on the VPP website puts it.
Half-life by Luisa A. Igloria
Two Moving Poems regulars—filmmaker Eduardo Yagüe and poet Luisa A. Igloria—in their first collaboration, a film for the Visible Poetry Project. Luisa provided the voiceover, and the actress, as in so many of Eduardo’s poetry films, is the wonderful Gabriella Roy. The music is an original composition by Four Hands Project. The poem originally appeared on Via Negativa, the literary blog I share with Luisa, last October.
Luisa had another poetry video this spring, too: Marc Neys (a.k.a. Swoon) made the trailer for her latest collection of poems, The Buddha Wonders if She is Having a Mid-Life Crisis.
Skirt by Rochelle Potkar
Why is this our most silent, daily question, ‘what to wear?’
And is it for ourselves or someone else that we ask this?
A thought-provoking poetry film from Indian writer Rochelle Potkar and UK-based Irish director Philippa Collie Cousins. It was produced for the Visible Poetry Project, which notes:
It was writing poetry and being a published poet at 14 that spurred [Cousins] on to be a visual artist: “The best poets explain our lives back to us in the rhythm and song of our own language. I was a very lonely child befriended by poems and stories. It was a combination that made me a very happy and successful adult. Being commissioned to send a poem out in to the world in a 3 dimensional film form is very exciting to me. I cannot wait to collaborate with my poet and think up a tapestry of images that will do them visual justice. What a treat! My aim is to reach an audience who benefit as I did from the magical medicine of poetry.”
Leisure by W. H. Davies
UK director A D Cooper‘s short for the Visible Poetry Project adapts a poem by the early 20th-century Welsh “supertramp” W. H. Davies. I had the pleasure of seeing the film, and meeting the director, last Saturday at a special curation of VPP films at London’s Poetry Cafe. Cooper said her decision to film in London, rather than in some more pastoral setting as the text might seem to suggest, was driven in part by filming logistics and in part by the desire to avoid naive illustration, and that some of the shots were unplanned and serendipitous. I told her it really worked for me, both as a tourist in London and as a country person in cities generally, where I often wonder why no one else seems inclined to pause and gawk at the amazing surroundings. So for me, the text and the video seem tailor-made for each other.
For full credits, stills, and other information about the film, see its page on the Hurcheon Films website.
Small Shoes by Maggie Smith
This simple but devastating poetry film pairs U.S. poet Maggie Smith with Irish filmmaker Kate Dolan. It’s the latest web release from Motionpoems’ Season 8, “Dear Mr. President”. As a nature lover I appreciated the inclusion of a starfish in one shot, subtly suggesting a link between the deaths of human refugees and of species impacted by global warming — a small but effective example of how a film can add additional dimensions to the poem on the page.
