~ January 2013 ~

Suddenly by Tim Verdinek

I wasn’t able to ascertain anything about the author, but I’m guessing he’s Slovenian like the kids who made this film. ZVVIKS, “institute for film and audiovisual production based in Ljubljana, Slovenia,” seems to regularly sponsor animation workshops. Here’s the complete video description from Vimeo:

Short animated film based on a poem by Tim Verdinek.
“With some assistance from their mentor, the complete film was created by attendees of the animated film workshop for children, students & youth.”
Story, designs, animation and music: Urša Halilovič, Aleksa Milovanović
Mentor: Simon Hudolin – Salči
Producers: Matija Šturm and Kolja Saksida
Sound Borja Močnik
Colour corection: Teo Rižnar
Production: ZVVIKS 2012
Co producer: Kulturni dom Slovenj Gradec
Financier: Maribor 2012 – Evropska prestolnica kulture, Slovenski filmski center – javna agencija Republike Slovenije

A Tree is Everything by Manasvi Bantawa

Manasvi Bantawa was a 3rd Grade student, so 8 or 9 years old, when this animation was made two years ago by Alex McClelland, working from a poster design by Zack Montrunecs. It’s part of the Healing Stanzas project:

Healing Stanzas is a collaborative project between Kent State University’s Wick Poetry Center and Glyphix design studio. This series combines the creative talents of KSU Visual Communication Design students with student writers (grades 3–12), health care providers, medical students, patients, and veterans to encourage dialogue about the connection between art and medicine, writing and healing.

Giant by Orianne Breakspear

A film by Luca Dicorato and Takanori Yoshiro. Dicorato notes:

Giant is a poem written and performed by 12 years old Orianne Breakspear.
We decided to animate this piece by employing a mixture of techniques, mainly cutout animation. We favoured images from old books and magazines as well as from the web in order to establish the vintage look.

The music is from Kevin MacLeod

In 2011, Orianne Breakspear won the Brit Writers Award for poetry in the Under 16s category.

Poem About Big BIGMOUSE by Ludmila Ulanova

I’m spotlighting children’s poetry films and videos this week, a diverse collection of works by children as well as film-poems made by adults for children. This is an outstanding example of the latter. About BIGMOUSE (Про Мыху), animated by Constantin Arephyeff (or Arefiev, in a more standard Romanization) won the award of the children’s jury at the 5th ZEBRA Poetry Film Festival in 2010. This is the English version narrated by Stephen Coates, who collaborated with the author and a couple of other people on the translation. There’s also a Russian version.

As in many Eastern European poetry animations, the text is used as a jumping-off point for a different, more elaborate story-line. However, this also feels very familiar in the context of children’s literature, where the artwork in illustrated books often does much more than just illustrate.

Call for submissions: 6th annual Trevigliopoesia Festival

The Trevigliopoesia Festival has been held in Treviglio – Bergamo (near Milan, Italy) every year since 2008, and includes a competition called La Parola Imaginata. From their website:

TRP – Trevigliopoesia is VIDEOPOETRY: Video-Art, Video Documentary and Poetry Film.
The word as language but also a symbol that becomes an element as the expression of thoughts, images, visions of the poets and their lives. Combining inspirations and influences from the field of philosophy, music, theatre and literature the result of the artistic creation meet the public showing the perfect union between POEM and VIDEO.

Under the patronage of the Office of Culture of the town of Treviglio, the arts association Nuvole in viaggio advertises the sixth edition of the video poetry competition LA PAROLA IMMAGINATA.

March 1 is the deadline for submissions. Download a PDF of the rules from their website. (And don’t forget that Italy’s other international poetry film festival, DOCtorClip in Rome, is also still open for submissions.)

Call for proposals due Jan. 31 for the 2013 MIX DIGITAL conference

I just noticed that the scholars behind the first MIX DIGITAL media conference last summer at Bath Spa University are planning another one this year. I’m sure they won’t mind if I reproduce the entire call for papers and presentations from their website:

CALL FOR PAPERS AND PRESENTATIONS

Bath Spa University/The Writing Platform Conference, Corsham, England, 15-17 July, 2013.

Deadline for Abstracts: 31st January, 2013

Submit to Lucy English: l.english@bathspa.ac.uk

After the success of MIX 2012, Bath Spa University is co-hosting a second MIX DIGITAL conference, in partnership with The Writing Platform. This small-scale, intimate series of events will take place over three days at BSU’s Corsham Court campus, set in a Grade One-listed Jacobean mansion in the bucolic Wiltshire landscape.

This year the themes will be ‘Text on Screens: Making, Discovering, Teaching’. We invite papers and presentations of creative works that focus on making digital work, including fiction, e-poetry, videopoetry; mobile, locative, and site specific forms; digital non-fiction, games, text-based digital art, and other electronic, hybrid forms. We invite papers and presentations of creative works that focus on discovering digital work, including publishing, curating, gate-keeping, distributing, discoverability, search, audience and performance. We invite papers and presentations that focus on pedagogy and pedagogical issues in the fields of ‘text on screens’, digital transformations and digital humanities.

Papers will be published in a peer-reviewed e-journal; further details to be announced in 2013; e-journal edition to be published in 2014.

Proposals are welcome on the topics including, but not limited to, the following:

  • What does it mean to put text on a screen?
  • What new forms of storytelling are emerging?
  • Does reader/writer interaction – via, for example, social media and social reading platforms – transform the work?
  • Is writing itself altered by digitisation?
  • Publishing, distributing, gatekeeping and curating digital forms
  • Discoverabilty and search in the digital landscape
  • Transliteracy and transmedia
  • New forms of narrative and narrativity
  • Audience, performativity, e-performance
  • Disruption and transformation of narrative forms
  • Pedagogy: how do we teach, collect, and distribute new forms to students?

As well as this, we invite practitioners to send in proposals for presentations or performances of their creative digital works.

Conference Committee: Katharine Reeve (BSU), Lucy English (BSU), Sarah Tremlett (artist), Kate Pullinger (BSU), and Donna Hancox (QUT).

Conference Keynote Speakers will include Naomi Alderman and Sophie Rochester.

Abstracts of up to 300 words should be sent to Lucy English at: l.english@bathspa.ac.uk by 31st January, 2013.

What is Life? by John Clare

https://vimeo.com/57929732

This is the work of Sao Paulo-based writer Juliana Mendonça. According to her description at Vimeo, it was

Inspired by New York City fall and John Clare’s poem.
This was my first time in the city and my first time shooting with a Go Pro only.

Made 100% with a Go Pro Hero 3 Black Edition.
Poem: What is Life by John Clare.
Music: Hægt, kemur ljósi› by Ólafur Arnalds.

Hearing Your Voice for the First Time by Raymond Luczak

Raymond Luczak has made a number of compelling poetry videos in American Sign Language, but this may be my favorite to date. It’s in support of his new book Mute. (See his YouTube channel for a few others.) Luczak writes:

In this clip, I recall what it was like to use my hearing aids when calling a prospective date for the first time. This happened back in the late 1980s, way before the Internet thing came along. The talented songwriter Seth Pennington performs his song “Want” as a guitar instrumental.

(As with the other Luczak videos I’ve posted, I’m putting this in the Spoken Word category even though that’s obviously not a perfect fit.)

If I Told Him: A Completed Portrait of Picasso by Gertrude Stein

*

[Edited 10/19/17: The original upload has gone missing, so it’s been replaced with two excerpts.]

This is Shutters Shut, choreographed by the legendary duo Paul Lightfoot and Sol León, A.K.A. Lightfoot León, and premiered by the Nederlands Dans Theater II in 2003. Paul Lightfoot told Ballet magazine, “In a way Shutters is a study, it’s an exercise.”

This performance is by Gauthier Dance, the dance ensemble of Theaterhaus Stuttgart. The dancers are Armando Braswell and Rosario Guerra. The film was edited by Valerie Haaf-Seidel, with camera work by Fritz Moser and Werner Schmidtke. (There’s another performance on YouTube, by Nederlands Dans Theater II itself, but that’s only an excerpt and seems to have been uploaded by someone other than the copyright holder.)

Danebury Ring by Tim Cumming

Another video from U.K. poet-filmmaker Tim Cumming, this one uploaded to YouTube, whence the following description:

A film poem shot by poet Tim Cumming at Danebury Ring on the Hampshire-Wiltshire-Dorset borders. Danebury Ring is a stunning Iron Age hill fort where sheep graze in the centre of the rings, and the rings are circled by huge old trees. Tim Cumming’s poem, Danebury Ring, appears in the forthcoming anthology of British and Irish poetry, Identity Parade from Bloodaxe Books.

That anthology is now available (scroll down for a well-produced video of the launch reading).

Limbo by dikson

A good example of the music-video style of poetry video, directed by Laurence Dobie. Dikson is a slam poet from Zimbabwe. The text is here.

Upgrade to the Moving Poems directory page

Visitor stats show that the directory page, Moving Poems’ index of poets and filmmakers, is one of the most-visited pages on the site. But it’s long been difficult to read, especially since the switch to a new, wider template. So I finally decided it was time for an upgrade and found a WordPress plugin, Multi-column Tag Map, that appeared to do everything I wanted. (The previous page was entirely hand-coded.) It is still perhaps a little unwieldy on smaller screens and mobile devices, when it shrinks to fewer than the maximum five columns, but on a desktop monitor it should now be fairly browsable. Check it out.