~ April 2010 ~

The Threatened One, by Jorge Luis Borges

A nicely non-literal animation of the poem by Latvian filmaker Signe Baumane, from 1999. It won Silver at Worldfest – Houston Film Festival 2000, the Robbie Burns Award at Cin(e) Poetry Festival 2000, and a Jury Award at the 34th New York Exposition of Short Film and Video 2000, according to Baumane’s website. Here’s the Spanish text.

Genius by Hal Sirowitz

Produced by The Center for International Education. I’m assuming it’s by this Robert Fones, a Canadian visual artist. The poem is from Sirowitz’ best-selling book Mother Said, which I reviewed three weeks ago.

Liebhaber in allen Gestalten/Lover in All Forms by Johann Wolfgang von Goethe

The last two stanzas of Goethe’s poem get the silent movie treatment from some guy named Dave at Apeiron Films. The complete text, and an English translation by Emily Ezust, may be read at The Leid and Arts Songs Text Page. Here’s the portion that appears in the video:

If I were all that,
I would not begrudge you;
with princely gifts,
you should have me.
If I were all that,
I would not begrudge you.

But I am just as I am;
and take me for that!
If you want something better,
then let them carve it out of you.
For I am just as I am;
and take me for that.

Wild Geese by Mary Oliver

I like the gritty take on Oliver’s most famous poem. I’m sure this won’t be the last filmic word on it, but there are so many ways this could’ve been done wrong — I’m glad Justin DeWaard steered clear of them.

Shot with a Canon 7D and edited on Final Cut. HD was lost in the compression. Filmed on location in Holland MI and at Gyxo Studio.

The School Boy by William Blake

A short entitled “Schoolboy” by Charlotte Herriman, who says,

Experimental film scratching/drawing piece for my Frame by Frame animation class. I started out with a found strip of film and manipulated it with a knife and permanent markers. I sent the film through a Steinbeck film projector and recorded it with a digital camera.

The piece is about a William Blake poem called ‘School Boy’ where he questions the need for schools. Blake implies that the ways in which children are taught routinely in schools is not the best way for them to flourish. At the time, I was terribly frustrated with school myself! ;)

Here’s the complete poem:

I love to rise in a summer morn,
When the birds sing on every tree;
The distant huntsman winds his horn,
And the sky-lark sings with me.
O! what sweet company.

But to go to school in a summer morn,
O! it drives all joy away;
Under a cruel eye outworn.
The little ones spend the day,
In sighing and dismay.

Ah! then at times I drooping sit,
And spend many an anxious hour,
Nor in my book can I take delight,
Nor sit in learnings bower,
Worn thro’ with the dreary shower.

How can the bird that is born for joy,
Sit in a cage and sing.
How can a child when fears annoy.
But droop his tender wing.
And forget his youthful spring.

O! father & mother. if buds are nip’d,
And blossoms blown away,
And if the tender plants are strip’d
Of their joy in the springing day,
By sorrow and care’s dismay.

How shall the summer arise in joy.
Or the summer fruits appear.
Or how shall we gather what griefs destroy
Or bless the mellowing year.
When the blasts of winter appear.

The Art of Drowning by Billy Collins

Lindsey Butler directed, with narration by Nicholas Chichirda. Nice to see such a fine videopoem of Collins’ work that isn’t one of the canonical (and authorized) animations.

Prodigy by Charles Simic

This is noteworthy in part because it aired on a major television network, but it’s also an effective poetry video, I think. It’s been up on YouTube for a while, so it’s probably safe to assume that ABC isn’t going to ask for it to be taken down.

Emily Melting by Gérard Rudolf

A collaboration between Scottish filmmaker Alastair Cook and South African poet Gérard Rudolf. The poem is from his new collection Orphaned Latitudes. Cook writes, “This film is the beginning of a series of work with Gérard, and we plan to write, produce and direct a feature length film in due course.”

Aliénation et Magie Noire by Antonin Artaud

Update: this video is no longer online.

I know hardly a word of French, yet I still enjoyed the hell out of this. It’s a remix of some public-domain footage from the Prelinger Archives by Fabrice Aussel, A.K.A. DJ Spooky. The reading by Artaud was recorded for radio broadcast in 1946.

Names I’d Forgotten by Joseph Millar

Directed by David Hambridge and David Sherrill. The poem appears in Millar’s book Overtime.

My Insomnia and I by Charles Simic

Geoff Tarulli made this one. It’s kind of slow-moving, but maybe that’s the point.

Poem (As the cat) by William Carlos Williams

Gotta love film students for keeping the medium irreverent. This is by Kurt Snyder. Here’s the text of the poem:

As the cat
climbed over
the top of

the jamcloset
first the right
forefoot

carefully
then the hind
stepped down
into the pit of
the empty
flowerpot