‘Dear Alison’ is a poem featured in the anthology No Map Could Show Them by critically acclaimed poet Helen Mort – a collection of poems centring on women making their mark and forging their own paths throughout history, both in the wilderness and in modern urban life. ‘Dear Alison’ is a personal tribute written by Helen to the late British mountaineer Alison Hargreaves – a mother, a wife and a talented climber who faced criticism due to her risk taking and her decision to continue climbing as a young mother, before her untimely death on K2 in 1995. The short film Dear Alison by Dark Sky Media and UKClimbing.com is a visual recreation of Helen’s words with imagery and sounds which evoke the poet’s emotional connection to Alison.
The film is currently featured on the front page of Liberated Words, where the accompanying, unsigned essay calls Dear Alison “a metanarrative on the process of writing: of the struggle of putting one word after another; of literally conceiving poetry, line by line.”
With the topic of non-metaphorical poetry films still echoing in our minds we also might consider this particular work as riven with metaphorical seams (rock metaphors to discuss metaphor notwithstanding). Throughout ‘Dear Alison’ close-up shots of Helen’s hand writing the poem punctuate the film and at the end she draws a firm but balanced line under the last word. We might think of this as jointly associative for both climber and poet: the metaphorical horizontal evocation of the joyous release from the vertical ropes and carabiners that stop a climber’s fall; or equally, the poet’s release from language, deliberately letting the line go; the summit having been reached. However, the analogy between mountaineering and writing ends there: the poet displays their roped words, carabinered like woven lace; the mountaineer hauls in their rope erasing all traces of the climb.