This brilliant, author-made stop-motion animation is featured in the latest issue of TriQuarterly. “Found materials do the heavy lifting of visual argument to demonstrate how repurposed materials might reveal something about the person who finds them,” as TriQuarterly‘s video editor Sarah Minor puts it.
It’s good to see that the 152nd issue of this venerable American literary magazine continues in the pattern set since its move to the web several years ago, leading off with a short video section introduced by its own essay. The fact that they seem to have dropped the term “cinepoetry” and call everything a “video essay” now is puzzling, but may simply reflect a shift in fashion among the MFA-led American literary establishment, where it must’ve gotten a huge boost by the bestseller status of Claudia Rankine’s Citizen, which includes the transcripts of several video essays from the ongoing “Situations” series filmed in collaboration with John Lucas. The rise of creative nonfiction as a component of MFA programs may also have played a role. But even outside high literary culture, the video essay has certainly become a fashionable genre on both sides of the Atlantic, even if there appears to be little agreement on what it means (that sounds familiar).
At any rate, be sure to visit Triquarterly Issue 152 to watch the other two, er, non-narrative videos by Annelyese Gelman and Spring Ulmer. To learn more about video essay as a genre, this video about essay films by film critic Kevin B. Lee, from a recent opinion piece in Sight&Sound magazine, seems like a good place to start: