Posts Tagged: Poetry Film Live

L’ Inventario / The Inventory by Francesca Bonfatti

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Venice-based photographer and video artist Francesca Bonfatti notes on Vimeo that

“The inventory” is inspired by a film from the repertory of mute cinema of 1917, inspired by the novel by Antonio Fogazzaro of 1881, in which a woman experiences a deep state of disturbance perhaps due to a personality duplication that is the cause of strange memories that emerge as ghosts of the past…

This is among the latest featured videos at Poetry Film Live. Go there for much more about Bonfatti and the multimedia project of which this is a part.

Dislocation by Susannah Ramsay

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This filmpoem by Susannah Ramsay is featured in the latest issue of Poetry Film Live along with another of her films and a short essay, “Filmpoetry and Phenomenology.” According to her bio there, Ramsey’s

practice-based research, Experiencing the Filmpoem. A Phenomenological Exploration, argues that phenomenology, both as a philosophy and film theory can undergird our understanding of the filmpoem, a unique composition of artists’ moving image. Through the production and exhibition of her own filmpoetry, her work aims to explore how this medium can provide a sensorial embodied experience within either a site-specific gallery space or a traditional screening context. Susannah’s practice concerns the tradition of filming in close proximity to nature and explores how we can emotionally and philosophically connect to the landscape. As part of her RSPB artist residency she is creating an outdoor audiovisual installation, to be screened in the landscape of Loch Lomond nature reserve.

For more, visit Poetry Film Live.

How It Starts by Patricia Killelea

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You should know by now there’s no such thing
as clickbait: only the fear of not knowing
where the blood is coming from next & the quiet
just before the stars
are torn out from under you.

This author-made videopoem by Patricia Killelea is featured in the latest issue of Poetry Film Live, including the text, a few stills, a bio, and some very interesting process notes, which conclude:

In my view, videopoems are multi-sensorial, but instead of merely “fleshing out” the words of the poem itself, the kinesthetic experience of a videopoem can create a space of encounter with language that more closely resembles the actual groping towards meaning and understanding that goes on in our minds on a day to day basis. This groping is always both within and beyond language, and these new poetic forms make that process more transparent even as they seek to complicate it.

Go read the rest.