Posts Tagged: Motionpoems

Blue Black Wet of Wood by Carmen Gillespie

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A film by Sundance Award-winning director Malik Vitthal for Motionpoems, based on the title poem from Carmen Gillespie‘s 2106 collection from Two Silvias Press. An adept juxtaposition of filmpoem lyricism with the kind of storytelling familiar to movie-goers conveys a powerful sense of the experience of loss within the African American community and beyond.

Motionpoems have also released a video interview with Gillespie, filmed and edited by Ramble Pictures, about the origin of the poem and the film:

Eric Doise, who conducted the interview, also put together a lesson plan for poetry teachers [PDF] based on the film and interview — the sort of thing I hope to see a lot more of in the coming years, both from Motionpoems and from other poetry-film makers as well.

Tryouts by Gary Jackson

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Animation by Victor Newman of a poem from Gary Jackson‘s book Missing You, Metropolis, which “imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend,” according to the publisher’s description. Newman was assisted by animators Jonathan Djob Nkonbo and Jeff Chong, JD McMillin did the sound design, and the voiceover is by Chuck Johnson.

Tryouts was produced by Motionpoems as part of their Season 7, in partnership with Cave Canem. For the text of the poem, see the Motionpoems website.

The Tao of the Black Plastic Comb by Glenis Redmond

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The latest film in Motionpoems’ Season 7 features a poem by Glenis Redmond as interpreted by director Irving Hillman. The poem appears in Richmond’s 2016 collection What My Hand Say.

application for the position of abdelhalim hafez’s girl by Safia Elhillo

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Motionpoems’ latest poetry film is directed by Donna Lamar using a poem from Safia Elhillo‘s collection January Children. The Sudanese-American poet stars in the film.

The Robots Are Coming by Kyle Dargan

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A film by Minneapolis-based animator Julia Iverson for Motionpoems — their latest episode, in partnership with Cave Canem. I love the poem by Kyle Dargan, from his 2015 collection Honest Engine.

How Do You Raise A Black Child? by Cortney Lamar Charleston

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Cortney Lamar Charleston’s searing poem, from his forthcoming collection Telepathologies (Saturnalia Books, 2017), is brought to the screen by director Seyi Peter-Thomas, Motionpoems and Station Film:

“This poem is about the precarious balance black parents have to strike in order to raise their kids ‘right,’ ” director Seyi Peter-Thomas says of Lamar Charleston’s piece. “It’s wrenching and thought-provoking.” Seyi’s film perfectly communicates this balance as it follows young Malik and his mother navigating life’s highs and lows. The moments of levity and those of unsolicited sobriety explore the complexity of Malik’s experiences as a part of a larger conversation on race and community within today’s uneasy social and political climate.

Seyi says, “Maybe what’s really being asked is how do we save a black child? And, what are the elements we must save them from? It’s a uniquely American conversation, one we’re all having on some level right now.” He hopes viewers will connect with the humanity in the film and also be prompted to ask and answer some questions of their own.

Motionpoems’ newest season of films are based on poems by black American poets, and presented in association with Cave Canem, a home for black poetry.

View more of Seyi’s work HERE.

Things I Carry Into the World by Cynthia Manick

This unusual and ambitious poetry film, created for the seventh season of Motionpoems by directors Jamil McGinnis and Pat Heywood, includes words from five different NYC poets, as Heywood explained in an email (links added):

The film is an adaptation of the poem ‘Things I Carry Into the World’ by Cynthia Manick. It’s an abstract meditation on the body, the feminine, the everyday realities of being young and black, and the fragility between the manmade and the natural. We worked with an incredible nonprofit, Urban Word NYC, who teamed us up with four poets: Esther Aloba, Nkosi Nkululeko, Makayla Posely, and Trace DePass, the scenes featuring them are actually adaptations of their own poems, heard briefly in the opening scene. We ended up with moments from four separate films, crafted under the umbrella of Cynthia Manick’s original poem. We found adapting poetry into film to be creatively liberating. Sort of like putting together a thematic puzzle; juxtaposing images, observing, asking questions, and finding moments of meditation to digest the poem’s text. We had our theater premiere at the Walker Arts Center in Minneapolis on October 27 and our online premiere on NOWNESS on November 6.

The poems excerpted at the beginning are “untitled” by Makayla Posely, “Rule #1” by Esther Aloba, “band-aids & other temporary healings” by Trace DePass, and “From the Inside” by Nkosi Nkululeko. See Vimeo for the complete credits.

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