Motionpoems’ latest, a Vimeo Staff Pick, is a pencil animation by Matt Smithson A.K.A. man vs magnet of a poem by Stacey Lynn Brown. Yaa Asantewa provided the voiceover and Joshua Smoak composed the music.
“Citizen journalist” Jeannie E. Roberts conducted interviews for Motionpoems with both the poet and the filmmaker—check them out. Brown says, in part:
“Undersong” is both an elegy and an ode to the poet Jake Adam York, who died at the age of 40 in December 2012. Jake was a poet of extraordinary depth, courage, wisdom, and empathy. His life’s work, a project entitled “Inscriptions for Air,” was an excavation of race and involved writing an elegy for every single man, woman, and child who were martyred in the Civil Rights Movement. He was a white man from Alabama who confronted the challenges and implications and devastation of racism head on, and the literary world is so much richer for his work—and so much more bereft for the work that will not follow.
Poetry is, in many ways, the only language I have at my disposal to say certain things, and this poem is an example of that. As a poet from the South, I wanted to pay homage to the visual landscape that connected us, to evoke the places we’re both from in an effort to encapsulate origin while memorializing just how far from there we journeyed in our thoughts and actions and words.
And Smithson’s description of his process is extremely impressive:
The process of creating the Motionpoem for “Undersong” was two-fold. Once I had decided on a direction and concept, I spent quite a bit of time researching specific locations that I felt best captured the visual quality described in the poem. Traveling through the South, through rural Virginia, North and South Carolina, West Virginia, and Kentucky, I filmed a variety of places, people, and details that I planned to use in the creation of this Motionpoem. Not every piece of footage was used, but this process helped further connect me to many of the places Stacey Lynn Brown describes, places echoing with a storied past.
The process I used to create the visual style of this Motionpoem involved the labor intensive process of tracing each image by hand to give the piece a handmade quality. Using the filmed footage as a starting point for most of the scenes, I merged the reality with my stylized interpretation, taking creative liberty in the development of each moment.
Motionpoems‘ latest production was directed by Georgia Tribuiani, an adaptation of a poem by Mark Wunderlich. The Motionpoems website includes bonus materials for the video: interviews with the filmmaker and poet by Jeannie E. Roberts, who writes:
As I watched Georgia Tribuiani’s motionpoem, “White Fur,” I was instantly drawn into her world of light, color, and contrast. Tribuiani sets the scene beautifully and powerfully within Switzer Falls, a wooded area in the San Gabriel Mountains, Los Angeles County. The albino deer, depicted as an African-American albino man, runs barefoot through the woods, where he follows the banks of a stream, eventually stopping to look at his reflection within a pool of water. Tribuiani imagines a story that is, in her own words, suggested: She envisions the albino deer as Narcissus: a young man, mesmerized by his own reflection, who falls in love with it and eventually drowns. Though not necessarily the intent of Mark Wunderlich’s poem, Tribuiani creates a stunning metaphor, a poem within a poem. All great poetry has layers, and this director has found another layer with thought-provoking elegance and creativity.