Contusion was one of the first poems I wanted to make a video for (5-6 years ago) but I never got a satisfying result out of the process. This time tried a film composition with text on screen and I had a clear idea what kind of images to use. […]
I composed a track especially for this project. Called it ‘Don’t look at me’ (and kept the appropriate title for the film composition) [Bandcamp link].
I had to re-edit the length of the composition to the footage I had gathered. Contusion is a rather short poem (compared to some of her other works).
A lot of night and dusk. Dim images. I especially wanted the footage of a swimming lake (deserted and empty) by Bart van der Gaag. Also some snow and winter footage by Jan Eerala, stuff filmed by me and a few pieces of Videoblocks. I composed all the footage to the lines of the poem (using a small and almost unreadable font and placement of the text by times) and the pace and feel of the soundtrack. I also graded some of the footage for an even darker feel.
As I said before; I’m happy with this one.
Play full screen (and preferably with headphones!)
Swoon (Marc Neys) has been taking a “‘videopoem journey’ along the Northern countries” this year, with films based on poems from Finland, Iceland, Sweden, and Norway. This one took him to Greenland, as he describes in a recent blog post.
I started with creating a soundscape around her reading; [SoundCloud link]
After that I was driven by the overall atmosphere of the language and the pace of her reading to look for footage by Jan Eerala again.
His images of an abandoned shed, a pink plastic bag in the wind and some shadowy puddles worked well in contrast (split screen) with the blue spooky footage I created earlier this year (playing around with software and public domain material)
This marriage of Greenland, Finland and Belgium works rather well, I think.
Belgian artist Marc Neys A.K.A. Swoon recently released two entirely different films for a poem by his great countryman Hugo Claus: “a ‘European Dance-version’ (using Hugo’s reading from Lyrikline) and an ‘American Road movie version’ using a fantastic reading Michael Dickes made from the English translation by John Irons,” as he put it in a blog post.
‘since January 14, 2015, I’ve been posting one minute of dance to this blog every day, simply, without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there.’
I asked if I could use one of her ‘minutes’ (2 février 2015 – 20e danse) for this videopoem. I could.
I simply adore this combination of Hugo’s poem, his voice and her dancing in the snow.
Enjoy! (There’s also a version with French subtitles: https://vimeo.com/118980966)
The source of the ‘road movie’ version is a music video by the collective ESNAF
Their video for ‘The Long Haul’ by NO (cinematography by Jovan Todorović) had all the ingredients I needed for the English version of the poem. I believe the little storyline is the perfect match for the poem and Michael Dickes’ reading.