A videopoem by Marc Neys A.K.A. Swoon with poem, voiceover and sounds contributed by Sophie Reyer, piano music by Liu Winter and footage by Jan Eerala. The overall soundtrack composition is Marc’s, along with “mastering, add. camera, editing, grading & concept,” according to the Vimeo description.
This was not Swoon’s first collaboration with Sophie Reyer; he also worked with the Austrian writer and composer two years ago to make Abschied. Metamorphosis was among the 16 films selected for the 2nd Weimar Poetry Film Award.
Contusion was one of the first poems I wanted to make a video for (5-6 years ago) but I never got a satisfying result out of the process. This time tried a film composition with text on screen and I had a clear idea what kind of images to use. […]
I composed a track especially for this project. Called it ‘Don’t look at me’ (and kept the appropriate title for the film composition) [Bandcamp link].
I had to re-edit the length of the composition to the footage I had gathered. Contusion is a rather short poem (compared to some of her other works).
A lot of night and dusk. Dim images. I especially wanted the footage of a swimming lake (deserted and empty) by Bart van der Gaag. Also some snow and winter footage by Jan Eerala, stuff filmed by me and a few pieces of Videoblocks. I composed all the footage to the lines of the poem (using a small and almost unreadable font and placement of the text by times) and the pace and feel of the soundtrack. I also graded some of the footage for an even darker feel.
As I said before; I’m happy with this one.
Play full screen (and preferably with headphones!)
Swoon (Marc Neys) has been taking a “‘videopoem journey’ along the Northern countries” this year, with films based on poems from Finland, Iceland, Sweden, and Norway. This one took him to Greenland, as he describes in a recent blog post.
I started with creating a soundscape around her reading; [SoundCloud link]
After that I was driven by the overall atmosphere of the language and the pace of her reading to look for footage by Jan Eerala again.
His images of an abandoned shed, a pink plastic bag in the wind and some shadowy puddles worked well in contrast (split screen) with the blue spooky footage I created earlier this year (playing around with software and public domain material)
This marriage of Greenland, Finland and Belgium works rather well, I think.
Belgian artist Marc Neys A.K.A. Swoon recently released two entirely different films for a poem by his great countryman Hugo Claus: “a ‘European Dance-version’ (using Hugo’s reading from Lyrikline) and an ‘American Road movie version’ using a fantastic reading Michael Dickes made from the English translation by John Irons,” as he put it in a blog post.
‘since January 14, 2015, I’ve been posting one minute of dance to this blog every day, simply, without editing or effects, in the place and state of mind I find myself that day, with no special technique, staging, clothing, or makeup, nothing but what is there.’
I asked if I could use one of her ‘minutes’ (2 février 2015 – 20e danse) for this videopoem. I could.
I simply adore this combination of Hugo’s poem, his voice and her dancing in the snow.
Enjoy! (There’s also a version with French subtitles: https://vimeo.com/118980966)
The source of the ‘road movie’ version is a music video by the collective ESNAF
Their video for ‘The Long Haul’ by NO (cinematography by Jovan Todorović) had all the ingredients I needed for the English version of the poem. I believe the little storyline is the perfect match for the poem and Michael Dickes’ reading.