Have Made It appears in the most recent issue of Gnarled Oak, an online literary magazine distinguished by, among other things, its willingness to include previously published/uploaded poetry videos. Their next issue is open for submissions through March 31.
If I post a lot of films by Marc Neys A.K.A. Swoon (while still failing to quite keep up with his output), it’s because he’s continually trying new things and not falling into a groove. This is an especially good example of that, blending two poems by two different poets, Meg Tuite and David Tomaloff, into a new whole, and taking its title from an unpublished chapbook they’ve co-authored, Everything But the Sky. It appeared at Gnarled Oak on April 10, along with some explanatory text:
Poem “No Code” & voice by David Tomaloff
Poem “I am walking beside me” by Meg Tuite
Essentially, EVERYTHING BUT THE SKY explores the way that dream logic and interpretation often work in context to ordinary events taking place within our daily lives. Think of it as reverse dream interpretation–each of David Tomaloff’s poems is a dream poem whose images might have been the manifestation of the thoughts, emotions, and events that each of Meg Tuite’s flash pieces describe before it. In this way, each pair of poems is a complete set, and, likely, one could begin to see a greater narrative as one begins joining these sets. –David Tomaloff
I created a soundtrack around David’s own narration of his poem and presented that scape with a (horizontal split screen) film composition with Meg’s poem appearing as text on screen. –Swoon
Having one text appear on-screen while another is delivered via voiceover is an interesting and I think effective way to translate a collaborative poetry project into film. There are some additional process notes on Swoon’s blog, as well as the text of both poems.
Just a few days ago I read a lovely poem called ‘Solar Therapy’ by Alaska-based artist and writer, Michele S. Cornelius and published in the multi-media literary journal, Gnarled Oak. As it happened, I already had images and music on hand, edited together and waiting for a poem that would mix well with them. I recognised the potential in Michele’s piece straight away and completed this video in the 24 hours following the poem’s first public appearance. The music is by Western Australian ensemble, Masonik, whose soundscapes I’ve appreciated over a number of years. This track is called ‘Bending Light For The Magi‘. I sourced it at the Pool group on Facebook, where it was posted on offer for remix. The images are from the royalty-free stock footage site, VideoBlocks. With a minimal piece like this the small details become magnified. I spent a surprising amount of time on minutiae in the editing, especially deciding how to present the phrases of the poem on the screen and where and when the text should best be placed. In the end, as is often the case, simple seemed best.
Click through to read Marie’s process notes on three of her other recent videopoems, as well.