Posts Tagged: Gift Producciones

“Y era el demonio de mi sueño” (And he was the evil spirit of my dreams) by Antonio Machado

Poet: | Nationality: | Filmmaker:

Y era el demonio de mi sueño, el ángel
más hermoso. Brillaban
como aceros los ojos victoriosos,
y las sangrientas llamas
de su antorcha alumbraron
la honda cripta del alma.

—¿Vendrás conmigo? —No, jamás; las tumbas
y los muertos me espantan.
Pero la férrea mano
mi diestra atenazaba.

—Vendrás conmigo… Y avancé en mi sueño
cegado por la roja luminaria.
Y en la cripta sentí sonar cadenas,
y rebullir de fieras enjauladas.

(poema de Antonio Machado)

And he was the evil spirit of my dreams, the most handsome
of all angels. His victorious eyes
shot fire like pieces of steel,
and the flames that fell
from his torch like blood
lit up the deep dungeon of the soul.

“Would you like to come with me?” “No, never! Tombs
and dead bodies frighten me.”
But his iron hand
gripped my right hand.

“You will come with me…” And in my dreams I walked
blinded by his red torch.
And in the dungeon I heard the sound of chains
and of beasts stirring in their cages.

(translated by Robert Bly)

Eduardo Yagüe (GIFT Producciones) made this videopoem in 2014 as an homage to the great Spanish poet Antonio Machado on the 75th anniversary of his exile and death. Eduardo’s reading is exceptionally good, and slow-paced enough that even those with just a little bit of Spanish should be able to follow along. Music by Jared C. Balogh accompanies the voiceover.

I first learned this poem (number LXIII from Galerías) through Robert Bly’s translation (above) in Roots and Wings: Poetry from Spain 1900-1975. (Alan S. Trueblood also translated it for a bilingual edition of the selected poems, but not quite as effectively.)

Árbol de Diana (Diana’s Tree) by Alejandra Pizarnik: three poems

Poet: | Nationality: | Filmmaker:

*

Piedras Verdes en la Casa de la Noche and Green Stones in the House of Night are Spanish and English versions of the same poetry film by Spanish director Eduardo Yagüe, which includes and responds to three poems from Alejandra Pizarnik‘s brief but epoch-making collection Árbol de Diana (Diana’s Tree). I’ve just been reading and re-reading the marvelous new translation by Yvette Siegert, which was longlisted for the 2015 PEN Award for Poetry in Translation. I went back and watched this film with fresh appreciation, having read the verses Yagüe includes in their original context (where they are nos. 6, 8, and 20, with a line from no. 35 supplying the title). The translations by Luis Yagüe in Green Stones in the House of Night are serviceable enough, but if you’re not fluent in Spanish, do get Siegert’s translation to experience the whole collection in its full, luminous intensity.

La Lenta Máchina del Desamor (The Slow Machine of Unloving) by Julio Cortázar

Poet: | Nationality: | Filmmaker:

Poems about falling in love are a dime a dozen, but when was the last time you heard a memorable poem about falling out of love? Spanish director Eduardo Yagüe rises to the challenge of matching images and sound (and some very effective moments lacking images and sound) to such a poem by the great Argentinian writer Julio Cortázar. (Note that this is probably NSFW since it contains full frontal nudity.) Laura Cuervo is the actress. The music is by Podington Bear (Chad Crouch) and the director voices the poem.

Thanks to Luis Yagüe for the highly serviceable English translation in the titling. The director has also uploaded a version without subtitles.