Jessop’s On Miles Platting Station is an adaptation of Simon Armitage’s likewise titled poem. A muted collage, it follows an imagined trip on a rickety train from the Pennines into the dangerous crowds of central Manchester.
“I grew up in the same Pennine village as Simon Armitage,” Jessop said, “and would often take this train into Manchester. When I realized he had written a poem based on this journey, I knew I had to adapt it to screen—it being particularly personal as it signified my journey out of childhood into adulthood and my own life in Manchester.”
Do click through and read the rest. As with everything in Tin House Reels, the write-up is thorough and engaging. It’s great to see a major literary magazine prioritizing “videos by artists who are forming interesting new relationships between images and words,” and unlike certain other august literary organs, they’re not demanding web exclusivity and preventing other people from sharing and embedding their videos. Yay!
Actor James Foster delivers an emotional punch you won’t forget: This is one of the few video poems I’ve seen that features the talents of a professional actor, and the results are striking. Foster tells the story of the devastation of divorce with his facial expressions and body language, increasing the tension with repetitions of the word, “Sometimes:” “When I’m eating it cold from a tin in the kitchen / and sometimes, when I’ve stood in a line to collect my prescription.” Watching him break apart is at once humbling and terrifying.
Bob Moyler directs.
100% recycled cardboard sewn together. Monster is a short film commissioned by Comma Film as part of the Version Film Festival 2009. Based on a poem by Chris Woods.
Woods is the author of the Comma Press collection Dangerous Driving.
a writer of short fictions;
an actress of clear convictions;
an image maker & photoshop breaker;
a producer of films & inconstant lover of sox.
This is a collaboration between the poet, Eleanor Rees, and the filmmaker, Glenn-emlyn Richards. It was featured as part of the Comma Film/ Version Film Festival 2009 and the Sadho Poetry Film Festival 2009-2010 in New Delhi.
This is evidently the opening poem in Rees’ debut collection from Salt Publishing, Andraste’s Hair, which garnered an endorsement from Carol Ann Duffy: “Eleanor Rees’s first full-length collection introduces an ambitious, experimental voice, vibrantly charged with the energy of city life.” From the publisher’s page, here’s a sound bite from the author and her city, Liverpool: