Posts Tagged: Center for International Education

At the Crossroads by David Bengtson

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Poem by David Bengtson

Video by Media Mike Hazard (The Center for International Education) with a class of students at Long Prairie-Grey Eagle High School

Accordion: Juergen Brunkhorst

Three by Han Shan (Cold Mountain)

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Video animation of three Han Shan poems by John Akre.

How refreshing to see this modern interpretation of Han Shan, and with a reading in Mandarin Chinese on the sountrack! This is apparently an excerpt from a half-hour-long film produced by the Center for International Education, directed by Mike Hazard:

COLD MOUNTAIN, a half hour film portrait of the Tang Dynasty Chinese poet Han Shan (a.k.a. Cold Mountain), will play with OH, SAIGON at 5pm on Sunday May 3, 2009 at the Oak Street Theater, 309 Oak Street SE, Minneapolis, during the Minneapolis-St. Paul International Film Festival. Cold Mountain plays first.

Recorded on location in America, China and Japan, Burton Watson, Red Pine, Jim Lenfestey and the legendary Gary Snyder describe the poet’s life and recite poems.

Co-directed by Mike Hazard and Deb Wallwork, the music is by the internationally renowned pipa player Gao Hong and animations are by John Akre. A project of The Center for International Education, the film has been supported by the Outagamie Foundation, the family of John W. Brower and the Bush Foundation.

Deb Wallwork writes, “Cold Mountain is a rollicking, tasty film filled with poetry, colorful characters, Zen wisdom, and witty commentary. The film gives us glimpses of that mysterious–some say crazy, some say enlightened–figure, Han Shan, who left the dusty world to become a hermit and a poet, and in so doing wrote the intimate and inspired lines that speak to us today.”

Mike Hazard adds, “One way to look at the film is to see that literally everyone in the film is channeling the spirit of Han Shan: the Mandarin of Jin Hua, the trickster animations of John Akre, the street singer, the rice thrashers, the Butterfly Woman, the four poetical guides, the monks in the temple kitchen, the bats in the cave, Gao Hong’s pipa, even the cicadas compose a richly layered portrait of Cold Mountain.”