Posts Tagged: Atticus Review

Channel Swimmer by Jane Glennie

Poet: | Nationality: | Filmmaker:

This author-made videopoem by British artist Jane Glennie was recently featured at Atticus Review. It’s kind of high-concept, but I think it works. Here’s the description from AR and Vimeo:

Channel Swimmer is a short ‘flicker’ film that examines repetitive and ambivalent relationships in matriarchal cycles through the generations from mother to daughter to mother. The film is inspired by two novels – ‘A Proper Marriage’ by Doris Lessing and ‘National Velvet’ by Enid Bagnold, and their main characters. Martha Quest in ‘A Proper Marriage’ is having her own child and questions the relationship between herself and her mother. While Velvet Brown is quietly encouraged by her mother (who is the ‘Channel Swimmer’ of the title – as those who swim the English Channel to France are known) in ‘National Velvet’, the climax of which is when the protagonist wins the famous Grand National steeplechase. The words in the soundtrack are collaged from these two books. The film is made from hundreds of original photographs taken on location on a racecourse and in the studio.

Atticus Review, incidentally, unveiled a spiffy new site design a month or two back, and the editors are always looking for good mixed media submissions. Be sure to bookmark and check the site regularly.

Love’s River of Errors by Dave Richardson

Poet: | Nationality: | Filmmaker:

“The ocean, addiction, making a few collages to discover some kind of meaning…In memory…” Thus reads the description to this moving, personal video essay by artist Dave Richardson, which explores the collage-like nature of memory itself. It was featured at Atticus Review back on May 5, accompanied by an artist’s statement. Here’s a snippet:

For my own personal or collaborative creative work, I am always trying to lose a sense of control, to move beyond the expected visuals and to not overthink the final results, to leave some of the process evident, the rough edges. I agree with the graphic designer Paul Rand when he said, “To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse. To design is to transform prose into poetry.”

Read the rest.

Wasp’s Honey by Martha McCollough

Poet: | Nationality: | Filmmaker:

Martha McCollough’s latest animated poem appeared in Atticus Review on March 3, along with this artist’s statement:

Bees have many associations with death—they are sacred to Persephone and when there is a death in the beekeeper’s household they must be told and allowed to mourn. Through honey, they have associations with creativity—it is a Greek folk belief that if a bee touches the lips of a sleeping child, the child will be a singer or a poet. I wanted to keep this elegy simple and direct, so there is no voiceover, only visual text. The soundtrack was composed using the p22 text-to-music generator. Sections of the text were used to create a midi file, freely edited in Logic.

Click through for the bio, and watch more of McCollough’s stand-out poetry videos on Vimeo.

หลงทางในประเทศของตัวเอง / Lost in Homeland by Rossanee Nurfarida

Poet: | Nationality: | Filmmaker:

Thai poet Rossanee Nurfarida recites her poem about the plight of Rohingya refugees in a video by German-American filmmaker Ryan Anderson for the OXLAEY multimedia project. Anderson’s English translation appears as text on screen.

Lost in Homeland was featured last week in Atticus Review‘s Mixed Media section, which is edited by videopoet Matt Mullins. Here’s how Anderson described the video there:

LOST IN HOMELAND is a video poem read by the author Ms. Rossanee Nurfarida while stranded on a boat perched at the top of a four-story, urban house. Ms. Nurfarida’s current collection of poetry, Far Away From Our Own Homes, is a Finalist for the 2016 South East Asian Writers Award. Lost in Homeland was written in 2015 during the Rohingya refugee crisis when thousands of stateless Rohingya from Myanmar set out on old fishing boats seeking a better future. The video’s visual references to Islam extend the poem’s metaphor, commenting on southern Thailand’s Muslim minority as a people stranded in the country of their birth.

Click through for more about the OXLAEY project and for bios of Nurfarida and Anderson. Additional credits are given in the YouTube description.

Break and Remake by Martha McCollough

Poet: | Nationality: | Filmmaker:

A new videopoem by artist and poet Martha McCollough always makes me do a little dance of pure delight. Break and Remake debuted on Atticus Review a week ago, and I’ve held off on sharing it till now (not wanting to steal their thunder) only with great difficulty. Here’s how McCollough introduced it:

Break and Remake came out of thinking about the recombined creatures in myths and in the margins of medieval manuscripts. The whole video is broken and reassembled, as are the griffins, chimeras, and other monsters within the video. The text is also a hybrid, combining overheard remarks, a line from a song by Son House and computer-generated text from spam.

Death is IN! by Tuija Välipakka

Poet: | Nationality: | Filmmaker: ,

Mikaela Välipakka directed this marvelous videopoem with cinematography and editing by Arttu Soilumo. The poem by Tuija Välipakka is from her 2014 collection Take Away (Paasilinna Publishing). Tuija and and her daughter Mikaela have co-authored a post at Atticus Review, where they describe the film as “the result of cooperation between two movie enthusiasts and a poet.”

Mikaela Välipakka and Arttu Soilumo wanted to create a poem film that is simultaneously dark and surrealistic, surprising and thought-provoking. The starting point was Mikaela’s vision of an empty movie theatre with a man sitting on the middle of the row. Man’s dreams start to stray around him, first slowly and eventually aggressively, trying to wake him up. The poem itself explores the absurdity and randomness of death.

The post continues with a quote from Mikaela Välipakka about her approach to filmmaking:

I start with a certain feeling and after that, scenes start to form in my head. I write them down and shoot these scenes one by one. I usually don’t make storyboards or any other plans, I go by intuition. On the set I get inspired by my model and model gets inspired by me. This creates something magical that can not be planned. Music is also really important to me. I love listening to classical music such as Mozart, Verdi and Gorécki. I put on headphones, close my eyes and my imagination starts to immediately fly. This is something I have been doing since I was a little girl, creating surrealistic and beautiful scenes in my head that I later implement them into ink drawings and short films.

Click through to read their biographies, and be sure to follow Atticus Review‘s Mixed Media section in your favorite feed reader for a steady stream of great poetry films.

Cold Moon by Erica Goss

Poet: | Nationality: | Filmmaker:

We buy longing, our faces
aggressive and breakable

on the cusp of winter.

The perfect poetry film for the holiday season. This is the final part of the 12 Moons series, the year-long videopoetry collaboration between Marc Neys A.K.A. Swoon (concept, camera and direction), Erica Goss (poetry), Kathy McTavish (music), and Nic S. (voice), presented by Atticus Review. Marc wrote:

As with the other 11, Kathy provided me with a great soundtrack. Moody and floating on ‘loneliness’. Perfect for Nic’s reading and the poem itself.
Reading and hearing the poem gave me the idea of using images of people shopping for the holidays. I filmed these for another project (Day is done), but this was a perfect match.

It’s like Erica said after viewing the video: “In “Cold Moon,” the young woman’s expression captures the essence of the poem: that holiday shopping is a poor excuse for spirituality, and that faith is still an unexplained phenomenon.”

So this was the last of the series. All of these were made over more than a year ago, but I still have great memories working on these. My gratitude also goes out to Atticus Review and Moving Poems for giving those videos an extra home.
Showing these 12 at Zebra Festival in Berlin this year was a highlight, but collaborating with those three was the best reward.

123