A classic poetry film by the Scottish filmmaker and poet Margaret Tait (1918-1999). It’s one of “Five Filmpoems: Curated by Susannah Ramsay” in the first issue of an online journal dedicated to “exploring and showcasing the milieux, methods and madnesses of contemporary poetry in all its emergent myriad forms,” All These New Relations. Ramsay has this to say about Colour Poems:
Margaret Tait was known as a filmpoet and experimental filmmaker. Her approach to filmmaking was remarkably similar to the ethos of the avant-garde, generally self-funded, non-conformist, uncompromising, non-commercial, with distribution and exhibition being select. I think Colour Poems (1974) depicts some of the more thought provoking images within her oeuvre. There is a wonderful poetical moment, which begins with the poppy fields where Tait questions the true essence of the image through juxtaposing shots of the Scottish oil industry and related capitalist iconography and a sequence of images relating to a return to the earth. Nature is brought into being through spoken word. The narrator willing the viewer to look beyond what can be seen, to ‘look into all that is illuminated by the light’ […] ‘the own person’s own self perceiving the light and making the music’ suggesting that we are the beholders of (our) true vision.