Poet: Rachel Barenblat

Ethics of the Mothers by Rachel Barenblat and Prayer by January Gill O’Neil

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A Moving Poems original. I got the idea of combining two poems about small children, and spent more than a week tinkering with the footage, trying to create enough echoes between the two parts of the film so it all hangs together. I’m not sure whether I succeeded or not, but it was an interesting experiment.

The texts came from The Poetry Storehouse: “Ethics of the Mothers” by Rachel Barenblat and “Prayer” by January Gill O’Neil, each read by the author. The music is by Serge Seletskyy, AKA GustoTune on SoundCloud, used in its entirety without alteration. I wanted to stay as far away from stereotypically “spiritual” music as possible, and suggest instead the boundless energy of childhood.

I shot some of this myself (the dodgy wildlife shots and the overlays) and filled it out with free footage from Beachfront B-Roll and Phil Fried. Yes, I really was that close to a mother bear with cubs! It seemed important to start out with a powerful image of motherhood that also might be seen to possess a kind of celestial resonance (Ursa Major and Ursa Minor). And over-all, the wildlife imagery and the closing shot of the night sky gave me a way to suggest something extra about the kind of felt connections with the larger-than-human world that seem to come naturally to most children, and the awe that that can inspire in them. Needless to say, I wouldn’t have dared to close with such a “cosmic” shot if O’Neil’s poem hadn’t focused so resolutely on small things.

Rachel Barenblat is an ordained rabbi who blogs at The Velveteen Rabbi, and January Gill O’Neil is also an active poet-blogger — see Poet Mom. Both are based in Massachusetts.

Ethics of the Mothers by Rachel Barenblat

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A poetry film by Othniel Smith with footage from the Prelinger Archive and a reading from The Poetry Storehouse by Peg Duthie. The poem, by Rachel Barenblat, originally appeared in April Daily.

It’s entirely possible that I take videopoetry just a bit too seriously. The thing about Othniel Smith’s remixes is that they are fun. This one is a good case in point.

Look for an interview with Smith about his approach to poetry film at the Moving Poems Forum toward the end of the week.