Elizabeth Masucci directs and stars in this adaptation of “Apartment Living” by Meghan O’Rourke — the second installment in Masucci’s ambitious poetry short film anthology series (Maya Angelou’s “Phenomenal Woman” was the first).
It’s always great to see professionally made, narrative cinema-style poetry films that seek to inhabit a poem and take it in new directions rather than just using it as a jumping-off point. Apartment Living compares very favorably with other recent, stand-out films of this type such as Lotus Hannon’s The Expiration (based on John Donne) and Laura Scrivano’s A Lovesong (based on Prufrock).
The title poem from Meghan O’Rourke’s Once (W.W. Norton & Company, 2011), adapted to film by L.A.-based directors Angela & Ithyle for Motionpoems. Logan Polish is the actor, Patrick Jones the director of photography, and John Hermanson of Egg Music composed the original score.
The Motionpoems website includes an interview with the directors, conducted by poet Jake Lans, that’s really worth checking out, because I think it’s fascinating to see how filmmakers used to working on commercials approach a poetry film assignment. Here’s a bit of it:
Many motionpoems utilize a voice actor to help convey the poem; you chose text. What inspired that decision?
As we were listening to different voices, we realized that any voice actor that we chose would really influence how the poem was understood by the viewer. As we talked about it, we realized that for us the imagination was triggered more authentically by reading than by hearing the poem performed. We really enjoy reading poetry and wanted to stay true to that feeling.
What moved you to choose Meghan O’Rourke’s poem? Did you consult with her while you were adapting?
It’s so young and nostalgic. We decided not to talk to Meghan about the poem because we had a lot of questions about the deeper context of the piece but felt that we needed to go with our own gut reaction after reading it, as one would do when reading a poem normally. We felt that having a greater insight into the poem, having all of our questions answered, would tie us too much to a “real” narrative.
When working with an organization like Motionpoems, how does the creative freedom differ from some of the other projects you have worked on?
It was a lot of fun to have the parameters of the poem and then just go for it. Most of our work is done for products or companies where we have objectives of the client and their culture to really think about (we do a lot of work in other countries) and with this, we could really explore our own motifs and personal mythology.