This filmpoem by Katie Garrett is an excellent demonstration of how to stay close to the imagery of a poem without merely illustrating it and diminishing both film and text in the process. The text, by Mark Pajak, is a Commended poem from the Poetry Society’s National Poetry Competition 2014. Judge Zoë Skoulding’s remarks on the poem already seem to anticipate the filmpoem:
The ingenious structure of ‘Cat on the Tracks’ produces an eerie sense of inevitability, where the lines of both poem and the train hurtle on their collision course. The filmic detail of the cat’s eyes’ slow blink draws us into a parallel world in which physical laws seem – just for a moment – suspended.