In the summer of 2016, Maggie Smith sat in a Starbucks in Bexley, Ohio, and wrote a poem. “Life is short, though I keep this from my children,” it began. Smith had no idea that she was setting down the first lines of a work that would seize the mood — and social-media accounts — of so many people in the tumultuous year that was 2016.
A year later, Director Anais La Rocca teamed up with Maggie Smith to bring this poem to life in the short film “Good Bones”.
Good Bones is a heartfelt work that grapples with pain, injustice, unfairness and disillusionment— all in a fantastical story told through the eyes of a six year old girl and the voice of her mother.
Written, directed, produced and post produced by an all female team, this film embodies the power, strength and courage within women, and our responsibility to pass on and teach this courage to our little girls.
In the film, the mother takes on the role of a real estate agent: “I am trying/ to sell them the world. Any decent realtor, walking you through a real s***hole, chirps on about good bones: This place could be beautiful, right? You could make this place beautiful.”
This simple but devastating poetry film pairs U.S. poet Maggie Smith with Irish filmmaker Kate Dolan. It’s the latest web release from Motionpoems’ Season 8, “Dear Mr. President”. As a nature lover I appreciated the inclusion of a starfish in one shot, subtly suggesting a link between the deaths of human refugees and of species impacted by global warming — a small but effective example of how a film can add additional dimensions to the poem on the page.