Poet: Lucy English

Dark Place by Lucy English

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As her ambitious Book of Hours has unfolded, it’s been fascinating to watch Lucy English‘s poetry evolve and adapt to the online video medium and to the exigencies of particular film-making styles. Here’s how Stevie Ronnie, her collaborator for this film (along with composer Jim Ronnie), describes their process at Vimeo:

Lucy and I wanted to try something different as a way of kick starting the collaborative process for Dark Place. It started from a desire to work on something that was going to become part of Lucy’s Book of Hours poetry film project. Poetry films often begin with the words or footage or sound but we decided to start from a colour palette. I created a palette and sent it to Lucy and she wrote the poem from the colours. Lucy then sent me a couple of drafts of the poem and, after spending some time digesting Lucy’s words, I decided to respond to it visually. Using the colours that I found in Lucy’s poem I rendered the poem as a painting, where each mark on the canvas represents a letter in the poem. I then captured this process as a series of still images which have been strung together into the film. The soundtrack, performed by my father Jim Ronnie, was composed and added during the video editing phase as a response to the poem’s images and the words.

The Last Days by Lucy English

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The latest addition to the Book of Hours, Lucy English’s multi-filmmaker collaborative poetry film project, is by Marie Craven, who used footage from the 1942 documentary A Child Went Forth and music by Kevin MacLeod. The close fit of text to images paves the way for an especially affecting zinger of a last line.

Incidentally, I gather from Facebook that Lucy is still looking for collaborators. Get in touch with her if you’re interested.

Clouds by Lucy English

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This recent addition to the Book of Hours project is

A poetryfilm by Jutta Pryor (Aust) with the words of Lucy English (UK) and soundscape created for ‘CLOUDS’ by

Bruno Gussoni: Flute, Alto Flute, Tibetan Bells (Italy)
Claudio Ferrari: Electronics (Italy)
Iao Aea: Fretless Electric Bass (Italy)

Click through for the text for the poem.

Daisy Chain by Lucy English

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A recent addition to Lucy English’s ambitious, multi-filmmaker Book of Hours project, this time from director Eduardo Yagüe—his third for the project, I think—with music by Podington Bear, voiceover by Rebecca Tantony, and an appearance by the actress Gabriella Roy. The stark contrast between the wintry footage and the summery text creates an interesting spark gap for the imagination to leap.

Now is the Time by Lucy English

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From the filmmaking duo Katia Viscogliosi and Francis Magnenot, AKA Cinéma Fragile, a new addition to UK writer and poetry-film expert Lucy English‘s Book of Hours project. The voiceover (by Viscogliosi, I’m guessing) is very effective, but her accent may present occasional difficulties for some listeners, so they’ve helpfully supplied subtitles — click the CC icon.

What is Love? by Lucy English

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This latest addition to Lucy English’s Book of Hours poetry-film project was directed by Lori H. Ersolmaz, with English reading her poem in the soundtrack.

Can’t Sleep by Lucy English

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Kind of a horror-movie vibe to this filmpoem by James W. Norton, who writes on Vimeo,

This film is an artistic response to the wonderfully sublime and uncanny poem ‘Can’t Sleep’ written and read by Lucy English for her project ‘The Book of Hours‘. [links added]

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