The Ants was made for the poetry film competition of the Leipzig Poetry Society in Germany. The challenge was to make a film based on any poem by Joachim Ringelnatz (1883-1934), a cabaret poet and absurd humorist. Most of the Ringelnatz poems I have read are strange and funny, and very short. I chose Die Ameisen/The Ants for its whimsy, and partly because it includes a reference to Australia, where I live. It’s a coincidence too that ants have been a funny and instructive presence in my life. The film is bilingual, in German first and then English. It was a fun film to make, with music created for it by my long-time collaborator, Adrian Carter, and collage art by Kollage Kid. Both of them are in the UK.
The film ended up taking first place in the contest.
All this week I’m going to be featuring recent poetry films by Marie Craven. When she joined Moving Poems as an editor last year, our initial instinct was to avoid sharing her own films too often to avoid the appearance of favoritism, but I’ve recently changed my mind about that. Marie has become one of the most prominent filmmakers in the international poetry film scene, and it’s silly to pretend otherwise. So it’s catch-up time! Especially since Marie has just caught up on her blog, and I can simply quote her process notes for most of these films.