A poetry book trailer that appears to give a pretty good indication of the tone and flavor of the book. (I say that having read a number of Howie Good‘s books and chapbooks, though not this particular one yet.) Sizable chunks of text alternate with underwater footage of swimming penguins, apparently shot on a mobile phone at an aquarium. Unlike so many trailers for poetry books from micropresses, where the initiative to make a video originates with the author, this was made by the publishers themselves.
This is a video promoting the launch of Howie Good’s limited edition poetry collection ‘The Death of Me’ through Pig Ear Press. The text is from Howie’s book, the video was shot in Basel Zoo and the soundtrack was created on a ukulele. The video and audio were created by Mr [Pete] Lally.
Pig Ear Press are a (very) small press using letterpress printing and handbinding to create limited run books of quality. You can purchase Howie’s book and see information about previous publications by visiting pigearpress.co.uk.
I’m a little late in sharing this, but the press run doesn’t seem to be sold out quite yet.
Another of Swoon‘s adaptations of poems from the qarrtsiluni podcast, this one by Howie Good from the Fragments issue currently in serialization. (Read the text here.) It was screened at “Filmscape” in Dunbar, Scotland on July 30. Here’s what Swoon said about it in a recent blog post:
I had a track (‘Gaze‘) that I used before for an older videopoem that I wasn’t to happy with.
But I still love the track.
‘Gaze’, by the way is on ‘Pathways’, a great sampler on netlabel NSI. You can get that just for free.
I made use of some great footage I found on Prelinger from a guy Ivan Besse, who filmed everyday life in South Dakota somewhere in ’38 ’39…
I combined that footage with layers of recordings I made myself to add a ghostlike atmosphere (to fit the soundscape) and a bit of colour and depth.
The poem also appears in a brand-new collection from Fowlpox Press, Desecrations by Howie Good, available through Smashwords.
A “mash-up-videopoem” by the indefatigable Swoon Bildos, focusing on “truth and fiction in the US…TV and violence…reality and fear.” The poem is from Howie Good’s Dreaming in Red. The video uses footage from Kansas City Confidential by Phil Karlson (1952) as well as CCTV from the security tapes of the fatal police beating of Kelly Thomas.
Swoon Bildos combined three poems — “Blue Territory,” “Ghost Train,” and “The Theory of Meaningful Coinicidence” — for a videopoem in support of Howie Good‘s new collection, Dreaming in Red. Profits from the sale of the book go to the Crisis Center in Birmingham, Alabama, which works on suicide prevention and provides services to victims of sexual assault, day treatment for the indigent mentally ill, and other services.
Another Swoon film for a poem by Howie Good — his seventh to date. The description at Vimeo characterizes this as “an edited, layered compilation of ‘simple’ camera-errors, to fit the jagged music and the title of the poem itself.”
“Between the waves and the fog, we haven’t got a clue of what might be ahead of us,” Swoon writes about his latest film based on a poem from Howie Good’s Whale Sound audio chapbook, Threatening Weather. He credits Matthew Augustus for some of the images, and of course Nic Sebastian for the reading.
Swoon’s latest in his series of videos for poems by Howie Good is something a bit different: a short called “Not Again (Pripyat),” using footage of the abandoned city in the Chernobyl evacuation zone, with Howie’s text appropriated for a kind of surreal documentary. Let me quote the description on Vimeo for the credits and such:
The images in the film are footage from a film about Pripyat (credit to Golden Movies Productions,2009)
Images before the disaster at the nuclear plant, images of the evacuation of the town, images of the ghost town now. Hence the title of the film, Not Again.
Although the poem by Howie is about other things and places, I wanted the images from Pripyat [to] add another dimension to the story, the poem, the atmosphere of the whole film.
“An armed man lurks in ambush” is the title poem of a full-length collection forthcoming from Despertanto (who also published Howie’s third book, Everything Reminds Me of Me, back in March). The text of the poem may be read on a site Swoon has set up for the texts used in all his videopoems to date, as well as in the Whale Sound audio chapbook, Threatening Weather, in which it originally appeared.