Poet: Guinevere Glasfurd

Jump Into Air by Guinevere Glasfurd

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Alastair Cook’s Filmpoem 25 features the text and reading of Guinevere Glasfurd. The description on Vimeo reads:

Jump Into Air is a poem by Guinevere Glasfurd on the subject of the deathly decline of the British fishing industry, commissioned by North Light Arts. Guinevere, as well as being an exceptional author and poet, has written for the Fishing News, the industry paper, and drew both on this and her stay with the fishermen of Dunbar during this Summer. Jump Into Air has sound commissioned from Luca Nasciuti and was filmed by Alastair Cook using Kodak Ektachrome.

Twenty Second Filmpoem: 20 poets, 20 seconds each

Alastair Cook‘s 22nd filmpoem is both playful and profound, a lovely demonstration of the magic that can happen when poets write ekphrastically in response to film clips.

Twenty Second Filmpoem (the 22nd Filmpoem) is twenty 20 second Filmpoems; it was conceived when I was asked to do a pecha-kucha.org night. An interesting concept, you present 20 slides for 20 seconds; I thought I’d do something a little different, actually create some work for the event. I commissioned 20 writers, all listed below, to write flash fiction against some 1960s found footage I’d edited. It’s ambitious and inevitably some bits work much better than others, but for me it is imperative to push this a little, to leave my comfort zone. And invariable, all the writing is superb, and for that I am thankful.

I also took the opportunity of using Vladimir Kryutchev’s binaural field recordings, for which I thank him. His amazing binaural map of Sergiyev Posad in Russia is here: oontz.ru/en

See the rest of the description on Vimeo to read all 20 short poems. The poets are: Andrew McCallum Crawford, Mary McDonough Clark, Al Innes, Guinevere Glasfurd-Brown, Elspeth Murray, Janette Ayachi, Jane McCance, Donna Campbell, Ewan Morrison, Angela Readman, Gérard Rudolf, Zoe Venditozzi, Jo Bell, Sally Evans, Pippa Little, Tony Williams, Robert Peake, Stevie Ronnie, Sheree Mack and Emily Dodd. Dodd blogged about her part in the production. A couple of excerpts:

I received a link with a password for my film, it was number twenty (password twenty). The film was 1960s found footage and it was beautiful. Alastair had edited it to tell a 1 minute story.

I watched a woman in a white dress on her wedding day. She kept looking at the Best Man. I wrote my initial thoughts down and came back to watch it again, two days later.

My brief was to respond with a piece of flash fiction that could be read aloud within 10 seconds. Alastair wanted it to be short, two or three lines maximum, he said just a haiku in length.

[…]

When I was first commissioned I’d thought along the same lines as the bride… is this really me?

  • What if I watch the film and have no emotional response?
  • What if I can’t do flash fiction?
  • What if my piece ruins the whole presentation?

And all of this ran through my head while waiting for a response from Alastair.

Thankfully, I had this reply within a couple of minutes:
No it’s bloody perfect x Baci x

I Lost You by Guinevere Glasfurd-Brown

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Alastair Cook says about his 21st filmpoem:

Guinevere Glasfurd-Brown’s I Lost You is a letter to her father, who was killed when he was 29. This film is for our fathers, and yours.

Cook continues to surprise, eschewing his usual abstraction for an extreme simplicity, which, for me, enhances the emotional appeal of the text.