We buy longing, our faces
aggressive and breakable
on the cusp of winter.
The perfect poetry film for the holiday season. This is the final part of the 12 Moons series, the year-long videopoetry collaboration between Marc Neys A.K.A. Swoon (concept, camera and direction), Erica Goss (poetry), Kathy McTavish (music), and Nic S. (voice), presented by Atticus Review. Marc wrote:
As with the other 11, Kathy provided me with a great soundtrack. Moody and floating on ‘loneliness’. Perfect for Nic’s reading and the poem itself.
Reading and hearing the poem gave me the idea of using images of people shopping for the holidays. I filmed these for another project (Day is done), but this was a perfect match.
It’s like Erica said after viewing the video: “In “Cold Moon,” the young woman’s expression captures the essence of the poem: that holiday shopping is a poor excuse for spirituality, and that faith is still an unexplained phenomenon.”
So this was the last of the series. All of these were made over more than a year ago, but I still have great memories working on these. My gratitude also goes out to Atticus Review and Moving Poems for giving those videos an extra home.
Showing these 12 at Zebra Festival in Berlin this year was a highlight, but collaborating with those three was the best reward.
I’ve gotten a couple of months behind on the 12 Moons videopoetry collaboration between Erica Goss (words), Marc Neys/Swoon (concept and directing), Kathy McTavish (music) and Nic S. (voice), so here are parts X, “Hunter’s Moon” (above) and XI, “Trapper’s Moon” (below). About the former, Marc writes:
The wind in this poem led me to a film I used earlier; ‘Terror in the midnight sun’ (Virgil W. Vogel)
I created a ‘windy’ scape using blocks of sound Kathy provided me with, added Nic’s reading and started playing around with the footage. (Different grading, colours,…)
In the end I only used one sequence. Played with repetition… I added a light layer of flickering windows to emphasize the wind even more.
For “Trapper’s Moon,” Marc notes that
Kathy provided me with a beautiful soundtrack, full of nostalgia and melancholy. A perfect fit for Nic’s intense reading.
I wanted very simple and pure images to go with this music. Preferably nature. A forest. Solitude.
Ephemeral Rift filmed one of his winter walks, I edited out a few bits and played around with colouring and timing in a split screen.
Ironically, one of the reasons I got behind on sharing them was because I took almost two weeks off to go to the ZEBRA Poetry Film Festival in October… where one of the big draws was seeing all twelve films in order on the big screen, with both Marc and Erica in attendance to introduce them and answer questions afterwards. It was an utterly captivating experience; the films flowed really well one into another, which might not be obvious if you watch them individually on the web. I hope that won’t be the last time that the whole project gets shown in a theater.
Part IX of the 12 Moons videopoetry collaboration between Erica Goss (words), Marc Neys/Swoon (concept and directing), Kathy McTavish (music) and Nic S. (voice). As usual, it debuted online at Atticus Review.
Neys described his editing process in a blog post:
I went back to the outstanding collection of IICADOM (‘International Institute for the Conservation, Archiving and Distribution of Other People’s Memories’) to look for the right footage. And I found some…
Kathy provided me with an alienating soundtrack, with Nic’s reading embedded, long enough to work with two parts in the visual storyline again.
Part one; a colourful look into the (safe &) settled world of an elderly couple in California. The outro is a black & white loop of two sisters walking down the stairs into their future. I like the contrast of these two lines and I love the way they react with the soundtrack.
With all the vacations Moving Poems has been taking, I’ve fallen behind on the 12 Moons videopoetry collaboration between Erica Goss (words), Marc Neys/Swoon (concept, camera and directing), Kathy McTavish (music) and Nic S. (voice). As usual, it debuted online at Atticus Review. This is the 8th moon. Neys called Goss’ text
A powerful poem that needed enough room (I love the line ‘Give it your blood, one drop at the time’) to breathe.
One storyline of images (very close to the poem) in black and white was more than enough against the beautiful reading & soundtrack by Nic and Kathy.
I personally love this one and think it’s the perfect showcase of what the collaborative and creative powers of four individuals can lead up to.
Atticus Review doesn’t seem to have an archive for just the 12 Moons series (apart from its Mixed Media category, whose RSS feed I strongly recommend adding to one’s feed reader subscriptions). But click on the 12 Moons tag to view all eight posted so far at Moving Poems.
This is Part VII in the 12 Moons collaborative videopoem series presented by Atticus Review — and it may be my favorite to date. As usual, the line-up is Erica Goss (text), Nic S. (voice), Kathy McTavish (music), and Swoon, A.K.A. Marc Neys (concept and direction). Neys calls the text
A lovely short poem that I wanted to give an extra playful and nostalgic layer by adding a bit of ‘family history’.
I went back to the outstanding collection of IICADOM (‘International Institute for the Conservation, Archiving and Distribution of Other People’s Memories’) to look for the right footage.
Kathy provided me with an impressive soundtrack with enough length to work with two distinctive parts in the visual storyline.
Part one; a bright and colourful look into the carefree world of children. Part two; a short view on the expectations, doubts, happiness and moments of fear that might precede that carefree world.
My fingers find the grit
of your chin
like the seed-crowded
tips of strawberries
we stole and ate
This is the 6th installment in the 12 Moons videopoetry series presented by Atticus Review each month in 2014, featuring Erica Goss (text), Nic S. (voiceover), Kathy McTavish (music) and Marc Neys, A.K.A. Swoon (concept, music and direction). Neys shared some process notes on his blog:
A lush short poem that I wanted to give an extra dark layer by adding a bit of ‘danger’.
I went back to the public domain feature Dementia 13 for the footage.
A nightly rendez-vous with a lot of staring between the two characters.
Leaving the story open and full of questions…
I started to work with certain parts of that footage.
Once I had a basic montage, I awaited Nic’s reading to work on a soundscape with musical blocks provided by Kathy.