The poetry film garden was made during April 2020 which was the beginning of the Corona virus lockdown in the UK. This meant that the production process was a bit different to how I would expect to work in normal times.
Caleb and I had discussed making a film towards the end of March and when lockdown happened, we suddenly had time to start a project. Using the internet we were able to work remotely and to collaborate using email, Zoom and the telephone.
As the poem is set in a garden we did not need to go out to get footage, so we could work and maintain the lockdown rules.
For me the main challenges were learning to use my DSLR camera to shoot movie footage and finding visual equivalences to the images in the poem. Household objects, from feather dusters, plastic tubing and dental floss, were pressed into service.
In discussions with Caleb the blurring of boundaries between the human body and nature became a theme that influenced how I approached the edit. Layering of images, keying and masks are central to the look of this film.
Hard to believe this is Marius’ first poetry film! But he’s worked in TV postproduction for decades, and says this was “a bit of a kid in a sweet shop experience.” Go read the rest of his remarks — and check out more of Poetry Film Live while you’re there.
The Desktop Metaphor is a film by Helmie Stil of Caleb Parkin’s second placed poem in the National Poetry Competition 2016, commissioned by Alastair Cook of Filmpoem in partnership with the Poetry Society.
Dutch filmmaker Helmie Stil is also the organizer of Filmpoem Festival 2017 at the Depot in Lewes on October 28, which will include a screening of all ten of the films made for the 2016 winners of the UK Poetry Society’s National Poetry Competition.
Caleb Parkin is a “poet, performer, artist, facilitator and educator, based in Bristol.” His poem on the page takes an interesting diptych-like form as the words echo back and forth from one line to the next.