Foxtrot by Rosemary Norman

Poet: | Nationality: | Filmmaker:

A fun text animation by long-time videopoem collaborators Stuart Pound and Rosemary Norman, who appear also to have a new videopoetry collection out, though I haven’t seen it yet.

Ozymandias by Percy Bysshe Shelley

Poet: | Nationality: | Filmmaker:

From the brief and powerful poem by Percy Bysshe Shelley (1792-1822), this animated version of his Ozymandias is directed by Alvaro Lamarche-Toloza in France.

The soundtrack features the richly dramatic voice of Bryan Cranston reciting the poem in a 2013 trailer for Breaking Bad. The compelling voice is accompanied only by a thrilling heavy heartbeat, also from the original soundtrack.

Wash drawings in the animation are by Estelle Chauvard. More about the project can be read in the notes beneath the player at Vimeo.

This is another strong piece to be found in a Top Ten of films from classic poems selected for Moving Poems by Paul Casey and Colm Scully.

Копнеж каквото е… / What Craving Is… by Dessislava Nedelcheva

Poet: | Nationality: | Filmmaker:

Four poems from a 2012 collection called Eastern Time (Източно време/Iztochno vreme) by Bulgarian poet Десислава Неделчева/Dessislava Nedelcheva, about whom I can glean nothing in the Anglophone web. But I love this film by Vladimir Mihaylov, AKA poe3. According to Google Translate, ‘The video was realized with the support of the National Fund “Culture” 2020.’ Glad to hear that the government of Bulgaria has money for poetry film! Mihaylov’s entire playlist of subtitled videopoetry is worth a watch.

an entombing (dis)entombing by Adam E. Stone

Poet: | Nationality: | Filmmaker:

A 2020 videopoem by Adam E. Stone, one of five he’s recently uploaded to Vimeo. Regular readers may remember our interview with Adam that Jane conducted last June. He calls this

A one-minute poem film about building barriers vs. living with a heart full of love, filmed predominantly with an iPhone 5c, between 2015 and 2019, in Japan, Taiwan, and the United States.

Click through for the screening history (29 festivals!).

After Mowing by Jeffery Oliver

Poet: | Nationality: | Filmmaker:

A quiet, one-shot video from US poet-filmmaker Jeffery Oliver, After Mowing gives mindful attention to a tiny detail of an ordinary day. I appreciate the simple and personal quality of this piece that was uploaded just two weeks ago. As the poem appears on his website:

After Mowing

gnat wings and green grass
speckle

the white porcelain

day’s work
almost done

The Torrid Zone by Tania Haberland

Poet: | Nationality: , , | Filmmaker:

The Torrid Zone is a strong and beautiful video, the first one up in my Vimeo feed today.

The poem is by Tania Haberland. It can be read on the page below the video at Vimeo. Her voicing of it is marvelous: slow in rhythm, minimal, richly-toned, and affecting. From a bio for her:

…a tri-national poet (German-South African-Mauritian)… born in Africa, raised in Arabia and matured in Europe. She publishes, performs and exhibits her poetry and multi-media collaborations across the globe.

The abstract moving images and the soundtrack are credited to Poetics of Reverie. This is French artist Carine Iriarte and her collaborators in various media. She describes this project in her bio:

…a collaborative artistic project mixing poetry, electro music, painting, short films, movement and nature…

To John by Inua Ellams

Poet: | Nationality: , | Filmmaker:

A video animated and edited by Jamie Macdonald AKA Airship23 for the Financial Times:

FT Weekend Festival 2021 commissioned Inua Ellams to write a response to Keats’s classic work ‘To Autumn’ marking his 200th anniversary. The animated poem ‘To John’ exposes the impact of humans on nature over those 200 years.
Financial Times website

For more on Ellams, who’s something of a Renaissance man, do visit his website. He teamed up with Macdonald back in 2020 for the trailer for his book The Actual/Fuck.

Hat-tip to poet Josephine Corcoran for blogging the link.

Seven things I know by Janet Lees

Poet: | Nationality: | Filmmaker:

Janet Lees is a poet and film-maker with a distinctive voice.

Her images are often black and white, with soft shades of grey, or tinged with the subtlest of colours. Her poetry is minimal in style, carrying quiet emotion. In counterpoint, the soundtracks are often lush in feeling. So it is in her latest film, Seven things I know.

The atmospheric music is by alt-pop duo Narrow Skies, Anita and Ben Tatlow. The song’s lyrics weave with those of the poem, which is given as text on screen. Anita Tatlow sings in an abstract way that is more musical than verbal, and so the song does not detract, but instead adds fine strands of meaning to Janet Lees’ poem.

The poem is whimsical while uncovering depth. A few of the seven things of the title:

the cadbury’s flake jingle

the magpie’s rough music

that eric morecambe
was not my uncle

Both poem and song lyrics are printed on the page with the video. This is a film in a single shot and slow motion rhythm, with breathing space for each of its elements.

More of Janet Lees’ films are to be found on her Moving Poems author page.

Un/Write by Fiona Tinwei Lam

Poet: | Nationality: | Filmmaker: , ,

Vancouver-based poet and poetry filmmaker Fiona Tinwei Lam collaborated with animation students Lara Renaud and Quinn Kelly back in February on this videopoem “about revision, redaction, and renewal.” Lam told me in an email that

It originated in a published shaped or visual poem on the page about the editing and revising process. I quickly created and brainstormed a text block from which the poem would be carved out on screen.

But I realized there were other poems within the poem while utilizing further compression and fragmentation. Then I noticed there were a few interesting phrases in the discarded text from the text block I’d created for the initial poem, that could form the basis of a new poem about reclamation. So these “cut out” phrases could return on screen in a new way.

She added that she thought it could form the basis of a fun lesson plan for schools and community writing workshops, and I agree. One of the great things about erasure poetry is the way it reminds us that no creation is truly ex nihilo; there’s always an element of discovery. And often with such serendipity comes joy, flowering of its own accord, as the animation suggests. A wonderful start to Poetry Month. (And imagine my surprise just now, bringing up the Canadian National Poetry Month page, to find that this year’s theme is in fact joy!)

The Peace of Wild Things by Wendell Berry

Poet: | Nationality: | Filmmaker: ,

There is balm to be found in this poetry film from Wendell Berry‘s deep and enduring poem, The Peace of Wild Things. Berry has a close connection to rural Kentucky USA, where he was born in 1934 and has maintained a farm for over 40 years. It is his own voice in the soundtrack.

The animation is touchingly childlike, directed by UK artists Charlotte Ager and Katy Wang. The project was produced by The On Being Project, a non-profit initiative. Music and sound is credited to David Camp. In-depth process notes on the making of the film can be found here.

I found The Peace of Wild Things among a fine Top Ten of films from classic poems published recently on the magazine side of our site. These films were selected by Paul Casey and Colm Scully, organisers and judges of the Ó Bhéal Winter Warmer poetry festival and poetry film competition in Ireland.