Haunting by Martin Evans

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An author-made videopoem from Welsh writer and humorist Martin Evans, whose work was brought to my attention by the inclusion of another of his videos, “Numbers“, in the latest issue of Poetry Film Live. He describes this one as

A film-poem to revisit a childhood haunt. Filmed on Whixall, Bettisfield and Fenns mosses on the Welsh/English border.

Scratch the pastoral surface of the countryside nearly anywhere and you’ll find similar stories of violence and loss. A beautifully done evocation.

Geometry by Chloe Chung

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A bilingual, Korean and English videopoem by NYC-based artist Wonjin Son using a text by Chloe Chung. William Hyoung joined Chung for the voiceovers.

Not Kissing You by Kevin Dublin

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An author-made videopoem by Kevin Dublin, one of three videos he’s made in support of his forthcoming collection How to Fall in Love in San Diego,

a chapbook of 26 love & anti-love poems. The poems are set inside, around, and far outside the bounds of San Diego, CA. They’re a collective attempt to encapsulate the city’s energy and people, as well as the universal, sometimes heart-wrenching, 21st century search for love or something similar. You can pre-order a copy of the chapbook in the Finishing Line Press store.

Dublin made the video with a combination of found and CC-licensed footage and music from The SVRGN, but it’s his exceptionally good voiceover that really sold me on it. (There’s a lesson in there for other poets interested in following his example, I think.) The poem originally appeared online in Glint Literary Journal.

Relearning the Alphabet (excerpt) by Denise Levertov

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In this Moving Poems production, a quote from Denise Levertov’s “Relearning the Alphabet” anchors a brief epistemological meditation. Or as I’ve been describing it on Facebook, this is basically a videopoem about videopoetry. The text animation, live footage and audio were all released to the public domain by their shy and selfless creators. (The poem is of course under copyright, but I think using a short quote—the “U” section—combined with what the law would probably consider a transformative use—the videopoetic treatment—would qualify this as “fair use” under U.S. copyright law.)

Lush by Deniz Zeynep

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Deniz Zeynep supplies the text, voiceover and music for this brilliant videopoem directed and photographed by Christine Stoddard for Quail Bell Productions, with editing and graphics by David Fuchs. It began as a “photo tale” in Quail Bell Magazine.

The Cracked Jug by Shakira Morar

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There aren’t too many rules about what makes a successful poetry film, but one I tend to follow a lot when deciding what to post here is that a too-close match of imagery to text usually feels redundant and reductive, diminishing a poem rather than adding an extra dimension. But in this new film from the UK Poetry Society, somehow a teenage poet, Shakira Morar, and director Suzanne Cohen manage to break that rule, and I think it’s because the limpid quality of the text allows the illustrative imagery to attain a symbolic, even mythic weight. Watch it and judge for yourself. Here’s the description on the Poetry Society’s website:

On World Poetry Day 2017, we are delighted to present a new poetry film, produced by The Poetry Society to celebrate the overall winner of the Poetry for Peace 2016 project, chosen by Judith Palmer. The film features the winning poem by Shakira Morar, aged 17, from Headington School, Oxford, who reads the poem in the film, in English, while the Arabic translation by Manal Nakli appears as subtitles. The poem is inspired by a 4,000 year-old Mesopotamian jug in the Ashmolean Museum in Oxford and the film is directed by Suzanne Cohen.

‘Poetry for Peace, 2016’ is part of the award winning, Arts Council-funded ‘Writing Mesopotamia’ collaboration between Oxford poet Jenny Lewis and the distinguished Iraqi poet Adnan al-Sayegh aimed at building bridges between English and Arabic-speaking communities. It involved Adnan and Jenny working with the Ashmolean Museum, Oxford, the Foreign and Commonwealth Office, The Poetry Society and more than sixty 11-17 year olds from four Oxford schools – Oxford Spires Academy, the Sudanese Saturday School, Headington School and Cherwell School – on themes of heritage and peace to produce poems for a competition judged by the poets.

Read a news story about the poem, film and winner Shakira over at the Oxford Mail.

Explore more of our poetry films on our Poetry to Watch page.

New Orleans by Matt Dennison

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This is Have Made It, a 2013 film by Michael Dickes using a text by Matt Dennison. It’s kind of a videopoem-music video hybrid, with Dickes’ music taking central stage half-way through.

Have Made It appears in the most recent issue of Gnarled Oak, an online literary magazine distinguished by, among other things, its willingness to include previously published/uploaded poetry videos. Their next issue is open for submissions through March 31.

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