Time Rests, Exhausted, in Memory by Ayesha Raees

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A new, author-made videopoem from Pakistani filmmaker, photographer and literature student Ayesha Raees, who told me last year that she was writing her thesis on videopoetry. The Vimeo description includes a bit about the creative process by way of an acknowledgement:

Special thanks to Sue Rees and Animation projects, my beautiful friends who I photographed unknowingly yet knowingly in the Vermont autumn of 2014 (which was a ghastly time for me), a house which became a home, an existence that unconsciously saved me, and again, to Sue, who gave me a platform to create what I wished to create.

Click through to read the poem.

Encontrada by Erica Goss

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A new videopoem from Erica Goss, who notes on Vimeo:

This is the second video from my poetry collection titled Night Court. I filmed the whole thing at Villa Montalvo, a center for the arts in Saratoga, California, in May 2017. I spent about two weeks, on and off, editing it. “Encontrada” means “found” in Spanish.

The music is by Podington Bear; everything else is Goss’s work. See also her video for the book’s title poem, “Night Court.”

canine by Ian Gibbins

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A soundtrack-driven videopoem by Ian Gibbins. This is one of the just-announced Official Selections for the Juteback Poetry Film Festival 2017, which includes this synopsis:

“Now is the time of night when I wish I could piss like a dog… on this side of the law, I do not really care…” Something about territoriality and the dispossession that ensues. Perhaps our urban future is little more than a dog’s life, running the streets in the grainy afterdark, virtually colourblind, hunkered close to ground, following old scent trails, barely aware of the disaster about to befall us…

Metamorphosis by Sophie Reyer

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A videopoem by Marc Neys A.K.A. Swoon with poem, voiceover and sounds contributed by Sophie Reyer, piano music by Liu Winter and footage by Jan Eerala. The overall soundtrack composition is Marc’s, along with “mastering, add. camera, editing, grading & concept,” according to the Vimeo description.

This was not Swoon’s first collaboration with Sophie Reyer; he also worked with the Austrian writer and composer two years ago to make Abschied. Metamorphosis was among the 16 films selected for the 2nd Weimar Poetry Film Award.

The Microwave by Mandy Gutmann-Gonzalez

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A three-part videopoem from Chilean poet Mandy Gutmann-Gonzalez and director Hanisha Harjani for the Visible Poetry Project. According to the page about Gutman-Gonzalez on the project website,

The poem chosen for the Visible Poetry Project, “The Microwave,” is in conversation with the hypnotic, digitalized world in Taiwanese artist Chen Wan-jen’s video “The Unconscious Voyage,” in which people move across a barren landscape in loops of repetitive movement. Boundaries, scope, elegy, and apocalypse, are some of the ideas animating this poem.

It seems only appropriate that a poem prompted by a video should be made into a video in turn. Here is The Unconscious Voyage (best expanded to full screen):

Ode to my Bitchface by Olivia Gatwood

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If you’re unfamiliar with the concept of “resting bitch face” (apparently it’s mainly an American expression), the Wikipedia article will get you up to speed. Once you’ve read it, you’ll understand why this response by poet Olivia Gatwood and the dancer/choreographers Rebecca Björling and Rebecca Rosier of the We:R Performance Collective is so, so good. The video was shot and edited by Tim Davis. Björling and Rosier note on Vimeo that

Our latest work ‘Bitchface’ is a dance film we made in reaction to the amazing fierceness of Olivia Gatwood’s poem ‘Ode to my Bitchface’. Beautifully delivered by Olivia in a live performance, we felt like we had to dance the chills out of our bodies as soon as we saw her original video.

And here is the original video in question, posted to YouTube on April 2. It has already been viewed more than half a million times:

The Tao of the Black Plastic Comb by Glenis Redmond

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The latest film in Motionpoems’ Season 7 features a poem by Glenis Redmond as interpreted by director Irving Hillman. The poem appears in Richmond’s 2016 collection What My Hand Say.