Poem by Lizzie Whyman
Film by Alex Kinsey
Another video interpretation of the poem, an animation by Charlotte Johnson, is also worth watching, though unfortunately embedding has been disabled. Watch it here.
Both videos were commissioned by New Writing North.
Poem and reading by Heather McHugh
Animation by Braulio Garcia for the Poetry Foundation’s Poetry Everywhere series
Excerpt of a film by Barry Dornfeld and Maggie Holtzberg-Call
Poem by Gaia Holmes
Film by Sharon Keighley, with narration by Lela Keighley
Thanks to Michelle at Peony Moon for bringing the work of this fine English poet to my attention.
Poem by Anne Carson, from Possessive Used as Drink (Me), a lecture on pronouns in the form of 15 sonnets
Video by Sadie Wilcox
See “Recipe” for more information on the production.
Poem by Jacques Prévert
Video by vandicla
Here for reference purposes are the text and an English translation as copied from an anonymous webpage, which notes that the title of the original is in English:
Paris at Night
|Trois allumettes une à une allumées dans la nuit
La première pour voir ton visage tout entier
La seconde pour voir tes yeux
La dernière pour voir ta bouche
Et l’obscurité tout entiére pour me rappeler tout cela
En te serrant dans mes bras.
|Three matches one by one struck in the night
The first to see the whole of your face
The second to see your eyes
The last to see your mouth
And the complete and utter darkness to remember them all
While holding you in my arms.
Though in other video poems I might object to a less than fully audible reading, here, I like the way the poem is submerged — a low mutter appropriate to the darkness from which flame, face, and song struggle to emerge.
|The Colbert Report||Mon – Thurs 11:30pm / 10:30c|
|Meta-Free-Phor-All: Shall I Nail Thee to a Summer’s Day?|
Something for April Fool’s Day — and the first day of (Inter-)National Poetry Month — from a king of fools. This episode of the Colbert Report aired on April 19, 2007. Colbert seems to genuinely like poetry, and has interviewed a number of poets on his show. I like the way this skit plays off the misconception popular with people who “just don’t understand poetry”: that a poem (or metaphor) is basically a code with one correct solution. I’m also impressed by Robert Pinksy’s stage presence and acting skills.