Litany by Billy Collins

Poet: | Nationality: | Filmmaker: ,

A three-year-old recites Billy Collins — another reminder that YouTube is still a vast repository of wonderfulness if you can only find it among all the dross. Fortunately, this one has gone viral. The mother says in a comment,

Billy Collins did see this and wrote a letter to my son and I. We feel very honored.

Thank you all for your kind comments. We are working on a few new poems I hope to have up very soon. If there are any suggestions as to poems you think might be good ones for him to memorize, let me know! I will consider them, if he likes them too.

Here’s Collins himself introducing and reading the poem, in a selection from Fora.TV:

drylung by Clayton T. Michaels

Poet: | Nationality: | Filmmaker:

This is the video my co-editor Beth Adams and I commissioned at qarrtsiluni in support of the soon-to-be-released winner of our 2010 poetry chapbook contest, Watermark by Clayton T. Michaels. James Brush wrote about why he elected to envideo this poem, and what influenced his choice of imagery, at his blog Coyote Mercury.

Watermark was chosen by the noted nonfiction author and naturalist Ken Lamberton, who was impressed by the “wonderfully controlled surreal and mesmerizing quality” of the poems. The print edition is already available for ordering ahead of the official launch on Monday, August 30, when we’ll also unveil online and podcast versions. We’re also running a series of poems from the other ten finalists at qarrtsiluni between now and then, hoping in part to interest other micropublishers in snatching up some of these terrific manuscripts (would that we could publish and release videopoems for every one of them!).

What Do Women Want? by Kim Addonizio

Poet: | Nationality: | Filmmaker:

Some videos are so bad they’re good; this is one of them. To say that it’s amateurishly done would be a vast understatement, and yet it still manages to be charming and eminently watchable, in part because she messes up toward the end. There’s a lesson in there somewhere. Of course, it helps that Addonizio recites the poem really well, and that she has a cute cat.

The text and audio of the poem are available at Poets.org. Be sure to visit Addonizio’s new website, too.

To the Hand and To a Coming Extinction by W. S. Merwin

Poet: | Nationality: | Filmmaker:

The two poems that comprise the closing section of Men Think They Are Better Than Grass, the Deborah Slater Dance Theatre production based on poems by W. S. Merwin. “To the Hand” is read by Ellen Sebastian Chang and “To a Coming Extinction” by Peter Coyote — an excellent, if terrifying, choice of a final poem. This is also the only one of the videos uploaded to Vimeo that gives a good impression of the film playing behind the stage during the production.

These Spiritual Window Shoppers by Jalal ad-Din Rumi

Poet: | Nationality: , | Filmmaker:

Coleman Barks reads his translation. As usual with the YouTube videopoems from Four Seasons Productions, there aren’t any credits, so I don’t know who put this together.

Bluebird by Charles Bukowski

Poet: | Nationality: | Filmmaker: ,

This is the first time I’ve ever posted a video that doesn’t include the text of the poem in some way, either as type, as subtitles, or in the soundtrack, but this animation by Monika Umba was simply too gorgeous to ignore. The accompanying information at YouTube includes the text of the poem, but here’s another video that incorporates it in the soundtrack, a trailer for a documentary on the poet by Diego Jose Baud:

http://www.youtube.com/watch?v=dynMZa4a_d4

Baud mentions in a comment that the reading is his. I couldn’t find anything to indicate whether this documentary has in fact been released yet. The trailer was posted to YouTube a year ago.

The Arithmetic of Nurses by Veneta Masson

Poet: | Nationality: | Filmmaker: ,

Liz Dubelman directed and Paca Thomas provided the animation and score for this VidLit-produced piece. (See VidLit’s “Who We Are” page for bios of Dubelman and Thomas.) Vaneta Masson is the author of two books of poetry based in part on her 35 years as a family nurse practitioner in an inner-city neighborhood in Washington, D.C. Here’s a bio. She doesn’t appear to have a website, but in her Amazon profile, she says:

You can read about my clinic years in two books. The first, a collection of poems (come on you skeptics, give poetry a chance!), is ‘Rehab at the Florida Avenue Grill.’ The second, ‘Ninth Street Notebook–Voice of a Nurse in the City’ contains stories, lessons and reflections from the ragged edge of the real world of nursing and health care.

In 2008, I published a new collection of poems, “Clinician’s Guide to the Soul,” modeled on the pocket-size guides to lab values, drug doses, and treatment protocols I used to rely on during my clinic years. These poems about nursing, medicine, illness and life are meant for professional and family caregivers and all who care about the art and science of healing.

My Pirate Neighbor by Oceana Setaysha

Poet: | Nationality: | Filmmaker:

There’s a fine line between flash fiction and prose poetry, but I think this story crosses it. It was created by Australian writer Oceana Setayasha for the summer film competition at the 6S Social Network, which is associated with the popular online magazine Six Sentences [both defunct as of 6/5/2014]. And yes, it’s just six sentences long.

Unknown Bird and Calling a Distant Animal by W. S. Merwin

Poet: | Nationality: | Filmmaker:

Another two poems from the production Men Think They Are Better Than Grass by the Deborah Slater Dance Theatre, based on poems by W. S. Merwin. “Unknown Bird” is sung and composed by Carla Kihlstedt and Matthias Bossi. “Calling a Distant Animal” is read by Brenda Wong Aoki. The two featured dancers are Travis Rowland and Wendy Rein.

A Lifetime by Ron Butlin

Poet: | Nationality: , | Filmmaker: ,

A complete short film spun from a brief poem by Ron Butlin, part of the This Collection project of poems by Edinburgh poets. This was written, produced and directed by CP Lucas Kao and Charmaine Gilbert; see all the other credits on Vimeo.