New poets’ works continue to appear at the Storehouse every week. (There are two more poems by Randy Adams alone.) I really hope it catches on among poetry filmmakers — I’m a big believer in the open-content philosophy behind the site. If you make a film based on something there, be sure to let me know about it. And if you teach film, or know someone who does, be sure to mention The Poetry Storehouse as a place where students can get ideas for good, short films.
Othniel Smith repurposes public-domain imagery from the Internet Archive to accompany Dickinson’s text, which was written in 1862, during the American Civil War.
Made as a part of my residency in Dunbar, Scotland for North Light. For this film I’ve used John Muir’s words as a starting point: my film is an interpretation and carries these words to a different place. All footage was shot during my time there; the poet John Glenday was kind enough to read a passage from John Muir’s autobiography and composer Luca Nasciuti created a soundtrack which fits like a glove.
Thanks to Creative Scotland.
The November selection from Motionpoems is by their co-founder Angella Kassube, and I think it’s one of the best they’ve ever made. The minimalism here really works for me, in part perhaps because I like Dean Young‘s poem so much. The soundtrack (by Carly Zuckweiler) is a perfect match to Tim Nolan’s reading.
Good to see a major player in American poetry film use a reading from someone other than the author. It’s kind of surprising to me that poetry film makers rely so heavily on poets’ own readings, given that all too often we are the least inspired oral interpreters of our own words.