Rapprochement Crisis (If I say it was a dream, will you listen?) by Meg Tuite

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Swoon’s first release of 2014 is a collaboration with the American poet and fiction writer Meg Tuite. In a recent blog post, he writes:

After “I’m sorry but I’ve witnessed what’s under your suburban bruises” it was clear for me I wanted to work with the words of Meg Tuite again .

Last summer we started another collaboration.
Soundscapes by my hand were sent to her, words came flying back to me.
Back and forth…

Words got picked out, recordings were made.

[...]

The [sound]track not only give me a title, it also steered me in the right direction for the images. I didn’t want a ‘storyline’ or a strong narrative. They would stand in the way of the words.
On the other hand I wanted strong emotions, truthful. The whole thing needed a dreamlike feeling of alienation to. I decided on a combination of two different sources;
‘Ménilmontant’ (Markus David Sussmanovitch Kaplan, 1926) and ‘Max Fait de la Photo’ (Lucien Nonguet, 1913)
I added colour and some layers of light.

Read the rest. The video also appears along with the full text and a bio of the poet at Atticus Review.

How to Meditate by Jack Kerouac

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Maia Porcaro writes,

This is a short piece shot on 8mm film. It explores the different aspects of meditation and finally finding yourself in such a surreal state. The poem is “How to Meditate” by Jack Kerouac, read by yours truly.

The Waking by Theodore Roethke

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Roethke’s great poem is accompanied by found footage of aquatic organisms, which works surprisingly well. Video maker Paula Schneck writes,

“The Waking,” by Theodore Roethke is a poem about the unknowable, life, death, sleep and waking in the form of a villanelle. One of the most unknowable environments in the world is the ocean, especially the deepest parts with the heaviest pressure. Villanelles have a unique rhyme scheme, which is portrayed in jarring cuts between the clips of underwater life.

Brava!

Ursula by Robert Peake

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A new videopoem by Robert Peake and Valerie Kampmeier. Peake blogged the text of the poem and some process notes. The poem was prompted by an old postcard, he writes, and

Valerie and I found some old excess footage, now in the public domain, from a Los Angeles film studio in the 1950s, and we put this together with road, wind, and bear noises as accompaniment.

Alice by Lydia Towsey

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An interesting performance poem video “Created as a collection of spoken word pieces involving projecting images onto the artist,” according to the Leicester-based filmmaker, Keith Allott. For more about Lydia Towsey, see her website.

City Center by Evelyn Lau

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This section from a film called Take Me Home is a terrific meditation on gentrification and sense of place by Jenn Strom and Sherri Rogers, who says in the description at Vimeo:

In August, I collaborated with director Jenn Strom to paint a dreamy sequence for her short film, illustrating a poem called “City Center” by BC’s poet laureate, Evelyn Lau.

What does home mean to you? For each person, it’s different and so personal – in the backyard, on stage, in Tofino, in the kitchen, or wherever family is. In Take Me Home, Knowledge Network profiles 36 British Columbians on what “home” means to them today.

See more at knowledge.ca/program/take-me-home

For more on Evelyn Lau, see the Wikipedia.

(This is Moving Poems’ last post until after the New Year. Happy Holidays and safe journeys to all.)

Byland by Sophie Cooke

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Fluid Eye Productions collaborated with author Sophie Cooke to make this poetry film, which was commissioned by Natural Scotland on Screen:

As well as looking back at past film and television, the Natural Scotland on Screen project also wanted to create something new as a lasting legacy beyond the 2013 Year of Natural Scotland.

Scottish poet and novelist Sophie Cooke was commissioned to write an original poem inspired by film from the Scottish Screen Archive and the themes of the Year of Natural Scotland. Sophie watched many hours of footage, then helped select the final clips that would be edited together in this single short film.

The result was Byland. Sophie hopes the poem – and accompanying film – will help to tell the story of our changing relationship with nature.

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