With all the excitement on social media about last night’s eclipse, I thought I’d jump on the lunar bandwagon and share the 4th installment of 12 Moons, the collaborative videopoetry project from Erica Goss (text), Nic S. (voice), Kathy McTavish (music) and Marc Neys, A.K.A. Swoon (music, concept, camera, and direction) for Atticus Review. This one uses footage from The Plow that Broke the Plains, Pare Lorentz’ poetic documentary about the Dust Bowl, which, I suggested here last year, may be seen as a sort of epic filmpoem in its own right. Marc says in his process notes:
First time I read the poem (before there was a reading or a soundtrack) I thought of this fantastic documentary by Pare Lorentz.
I started to work with certain parts of the film (treated them, gave them a colour) and tried to put them in a split screen.
Once I had a basic montage, I awaited Nic’s reading to work on a soundscape with musical blocks provided by Kathy.
I said it before and I will say it again. Cooking’s fun and easy when you have great ingredients. All the pieces fitted perfectly and lifted each other to a higher plane. I only had to do a small re-edit of my basic montage once the soundtrack was made.
A well-produced performance poetry video from Emote Record Company, “a record label dedicated entirely to the recording, distribution, promotion, and support of spoken word artists and the spoken word community.” Du Plessis is one of several artists recorded in what appears to be someone’s living room in Johannesburg. (View more at Emote’s YouTube channel.)
Scoring and Additional Recording by Paul Elliott
Edited, Mixed and Mastered by Simon Strehler
Videographers: Ett Venter, Bernard Brand
Special Thanks to Clive Thomson and the Thomson family, the greatest hosts on Earth.
It’s no secret that I’m not the biggest fan of spoken word and slam-style poetry. But the outrageous rhymes on “Orwell” sold me on this one. Plus I applaud the emphasis on audio and video production. Emote’s website, spokenwordcollective.com, was just launched last month, so they’re obviously just getting off the ground. I hope they go far.
A Nic S. remix of a poem in the Poetry Storehouse by Theresa Senato Edwards. Sebastian re-purposed some stock footage to gorgeous and disturbing effect, and the music she chose really carries the film. Here are her process notes:
For this haunting poem on abuse by Theresa Senato Edwards, I used both film and still image elements – first time I have combined the two.
For the backdrop of the bleak disastrous relationship, I used darkened stock footage of what was originally a relatively cheerful sunshiney scene of an abandoned house in a field. Once darkened, it looked lonely and empty – a context in which forbidden activity could easily take place unchecked. To begin, end and punctuate the piece, I slowed down and darkened stock footage of a summer lightning storm to represent the abuser.
For the victim, I used a stock still image from StockVault which suggested muffling and suffocation to me. I used the image as a fade-in at three different places in the film, each time adding a different Ken Burns effect to it – panning away, towards, across. The hollow ‘alien drone’ soundtrack was by Speedenza, one of my freesound.org favorites.
Many thanks once more to Theresa for sharing this powerful piece at the Poetry Storehouse.
Sebastian’s chronicle of her education as a videopoem-maker is really turning into a valuable resource for others who want to learn the craft. I advise either following her blog on WordPress.com, as I do, or else subscribing to the Videopoems category link in an RSS feed reader.
Alzheimer’s/Dementia includes a phase called sundowning during which the afflicted cannot shake the sense that there is somewhere else they must be, regardless of where they are. This includes the need to go “home” even if one is already home. The videopoem comments on this condition even as it comments on how Alzheimer’s/Dementia takes the sufferer “away” from loved ones while that loved one is still in their presence.
Editing original footage/Music: Swoon (Marc Neys)
Direction/Poem/Recitation/Audio-Visual Composition: Matt Mullins
An English-subtitled reading by the Argentinian poet Diana Bellessi, part of a larger documentary about her. The translation’s really good and the language and landscape are both mesmerizing, I thought. Here’s the YouTube description:
Diana Bellessi reads the poem “After the fragment”, about the history of her family, originally from Italy. As she reads, the sun sets over the land they worked.
This is video is part of the documentary “Secret Garden” (www.secretgardendocumentary.wordpress.com).
Directed by Cristián Costantini, Diego Panich and Claudia Prado
Camera: Leandro Listorti/Diego Panich
Poem translation: Cathy Eisenhower
Diana Bellessi lee el poema “Detrás de los fragmentos”, sobe la historia de su familia, descendientes de italianos en la pampa santafesina. Mientras ella lee, el sol se pone en la tierra que trabajaron sus parientes.
Este video es parte del documental “El jardín secreto” (www.eljardinsecretoblog.wordpress.com).