This may be a basic video (from the livestream by Katalogon of Poetry International Festival Rotterdam, 2 June 2018), but it is nevertheless essential watching: a master poet at the top of his game calling out the rot at the heart of the American dream. The text is from Danez Smith’s award-winning collection Don’t Call Us Dead and has been reprinted online at Literary Hub.
A poem by Austin, Texas-based writer Brittani Sonnenberg adapted for the Visible Poetry Project by UK artist Jane Glennie. “A key technique in her films is to take hundreds of photographs, which are edited and sequenced into rapid ‘flicker films’ and combine them with composite soundtracks,” as Gklennie’s bio on the VPP website puts it.
Two Moving Poems regulars—filmmaker Eduardo Yagüe and poet Luisa A. Igloria—in their first collaboration, a film for the Visible Poetry Project. Luisa provided the voiceover, and the actress, as in so many of Eduardo’s poetry films, is the wonderful Gabriella Roy. The music is an original composition by Four Hands Project. The poem originally appeared on Via Negativa, the literary blog I share with Luisa, last October.
Luisa had another poetry video this spring, too: Marc Neys (a.k.a. Swoon) made the trailer for her latest collection of poems, The Buddha Wonders if She is Having a Mid-Life Crisis.
This simple but devastating poetry film pairs U.S. poet Maggie Smith with Irish filmmaker Kate Dolan. It’s the latest web release from Motionpoems’ Season 8, “Dear Mr. President”. As a nature lover I appreciated the inclusion of a starfish in one shot, subtly suggesting a link between the deaths of human refugees and of species impacted by global warming — a small but effective example of how a film can add additional dimensions to the poem on the page.
Directed by Savanah Leaf, this is the first film from Motionpoems’ Season 8, “Dear Mr. President,” to be released on the web. Tiana Clark‘s poem is included in her collection I Can’t Talk About the Trees Without the Blood, which won the 2017 Agnes Lynch Starrett Poetry Prize and is due out this fall from the University of Pittsburgh Press.
Click through to Vimeo for the full credits.
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Kahlil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
You can also watch Lincoln reciting the poem, along with “The Man Who Has The Magic,” in this interview on YouTube:
Hat-tip: Cinematic Poems.