Nationality: United States

Weighing In by Rhina Espaillat

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An uplifting animation about age, gravity and being human, Weighing In is from a poem by Dominican-American writer Rhina Espaillat. The film was directed by Casey McIntyre for MPC Creative in Los Angeles in partnership with Motionpoems. It was especially designed as a film for children. The poem can be read on the page here.

Childhood’s End by Howie Good

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I LOVE this new videopoem! Belgian artist-composer Marc Neys (aka Swoon) is of course a Moving Poems regular, as is retired journalism professor Howie Good — one of the most productive poets I know. The fit of images to words hits that sweet spot half-way between random and literal, and the font seems chosen for maximum contrast in feeling with the dark content of the text.

The video does double duty as a trailer for Good’s new collection, a chapbook/pamphlet from Laughing Ronin Press called Heart-Shaped Hole.

an entombing (dis)entombing by Adam E. Stone

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A 2020 videopoem by Adam E. Stone, one of five he’s recently uploaded to Vimeo. Regular readers may remember our interview with Adam that Jane conducted last June. He calls this

A one-minute poem film about building barriers vs. living with a heart full of love, filmed predominantly with an iPhone 5c, between 2015 and 2019, in Japan, Taiwan, and the United States.

Click through for the screening history (29 festivals!).

After Mowing by Jeffery Oliver

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A quiet, one-shot video from US poet-filmmaker Jeffery Oliver, After Mowing gives mindful attention to a tiny detail of an ordinary day. I appreciate the simple and personal quality of this piece that was uploaded just two weeks ago. As the poem appears on his website:

After Mowing

gnat wings and green grass
speckle

the white porcelain

day’s work
almost done

The Peace of Wild Things by Wendell Berry

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There is balm to be found in this poetry film from Wendell Berry‘s deep and enduring poem, The Peace of Wild Things. Berry has a close connection to rural Kentucky USA, where he was born in 1934 and has maintained a farm for over 40 years. It is his own voice in the soundtrack.

The animation is touchingly childlike, directed by UK artists Charlotte Ager and Katy Wang. The project was produced by The On Being Project, a non-profit initiative. Music and sound is credited to David Camp. In-depth process notes on the making of the film can be found here.

I found The Peace of Wild Things among a fine Top Ten of films from classic poems published recently on the magazine side of our site. These films were selected by Paul Casey and Colm Scully, organisers and judges of the Ó Bhéal Winter Warmer poetry festival and poetry film competition in Ireland.

Nomad Palindrome by Kai Carlson-Wee

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This is I think the first palindromic poetry film I’ve seen, but it’s a very good one. The author-filmmaker, Kai Carlson-Wee, previously appeared with his brother Anders, also a widely published poet, in a documentary short called Riding the Highline, which they co-directed, as well as several poetry videos of Kai’s own (including Cry of the Loon, which I shared here).

A note at Vimeo says the poem previously appeared at Agni, and I got all excited thinking that maybe another major literary journal had followed Triquarterly‘s lead and was publishing poetry films online, but it appears to be still just a print publication. Oh well.

The Future is Ours by Andrew Roberts

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A stop-motion videopoem by Brooklyn-based animator Andrew/Drew Roberts, uploaded to Vimeo nine years ago when he was making a whole series of poetic shorts under the banner Stop Motion Haiku, apparently once featured on a dedicated website that no longer exists, though several may be viewed on his own website (scroll down) and on Vimeo.

Moving Poems turned 14 on Thursday, so I wanted to find someone I’d overlooked just to remind ourselves how much good work is still out there. I’m sorry I missed Roberts’s work when it first appeared but happy to have found it in the end.

blue jay by Anthony Matos

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A poem accompanied by a visual story, blue jay is written and directed by Anthony Matos in Maine, USA. He describes the film as “a story about three strangers trying to overcome different forms of grief and loneliness.”

From his bio at FilmFreeway:

My love for film grew from my love of poetry and the Walt Whitman and Mary Oliver collections I read in high school. I lived through these poets and craved to be able to appreciate life and the moment around me as they did.

Poetry films are most often very short and small-scale in production. By contrast, Blue Jay is over 12 minutes and involved a substantial cast and crew. In these ways it more closely resembles a well-produced narrative short.

The combination of poem and story is interesting, and I find this touching film well worth the watching.

Mirror by Sylvia Plath

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Belgian artist Marc Neys adapts Sylvia Plath’s Mirror for this videopoem from mid-2022. He narrates the poem from a Dutch translation by Lucienne Stassaert, giving the video the bilingual title Spiegel/Mirror. As with most of his other films, he composed the ambient music as well.

Regular readers of Moving Poems will know the work of Marc Neys very well from the large number of posts of his work over the past decade. This video from Plath’s poem appears in some ways to be an updated version of one he made in 2014.

Plath’s writing has been adapted for film by other artists here.

Gray-Headed Schoolchildren by Charles Simic

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Charles Simic has died. Word broke on Twitter a few hours ago, and I’ve been thinking about Simic’s impact as a poet and as a translator—I wouldn’t know Vasko Popa, Ivan Lalic or even the great Novica Tadic had Simic not introduced them to the Anglophone world.

I’m not sure that Simic’s interest in translation extended to videopoetry, however; I don’t believe he ever collaborated with a filmmaker. I found a few unofficial videos back in the early years of this site, and another search today turned up a couple more good ones. Gray-Headed Schoolchildren is a 2011 film by Tess Masero Brioso with voiceover by Victor Feldman, who also stars (along with Zach Donnelly). I’m torn about the soundtrack: Adagio for Strings is kind of a cliché at this point, but it’s also not a bad fit. Regardless, as someone getting on years myself, the poem and film hit me right in the feels.