This new poetry film by the always interesting Lori H. Ersolmaz is an adaptation of a poem from The Poetry Storehouse by Luisa A. Igloria, and includes the author’s own reading in the soundtrack. Ersolmaz incorporated archival footage from the newly available Pond5 Public Domain Project and sound effects from Freesound.org.
Read Lori’s process notes, “Beginning with the End in Mind,” at Moving Poems Magazine.
A collage videopoem by Dale Wisely using a text by Laura M Kaminski from The Poetry Storehouse. The voices in the soundtrack are Nic Sebastian’s and Eric Burke’s. The poem originally appeared in One Sentence Poems, which Wisely co-edits with Robert Scotellaro.
I knew I wanted to stay away from illustrating the words or being too literal with the imagery. I wanted to create something that would be its own thing but would be a perfect companion to the poem. I spent a lot of time making these decisions before I got into the work, and I’m glad I did it that way. I was able to steer my own direction because of the rules I had laid out for myself early on.
MOPO: What are some of the stylistic influences you saw coming to bear on the film?
CRAIG: I had been watching a lot of really early animation films, one in particular called “The Idea” by Berthold Bartosch. It was based on a woodcut graphic novel by Frans Masereel. I had been watching that kind of work coming into this project. When I start a project I tend to pull a lot of artwork, paintings and things that I can respond to in some way. That helps me get towards ideas I like.
Do read the whole interview; Craig makes a lot of interesting points. And there’s an interview with Stephen Dunn on the same page which is also worth checking out. The last question concerns the film:
MOPO: I’m wondering about the whole idea of taking a poem and making a short film out of it, and this sort of hybrid art that Motionpoems is pioneering. Is presenting a work in a different medium akin to the difficulty of linguistic translation in your opinion? What would you share with us about why you consented to be a part of this Motionpoems season and growing body of art — what were you hoping or wanting?
DUNN: I have no expectations. My poem itself is a translation of experience. I would hope that you all would try to be true to the poem’s spirit and tone, but I also know that another medium will interpret in ways I can’t foresee.
Bryan Hanna composed the score.
Lori Lamothe is the latest poet to have work added to The Poetry Storehouse, which is where Australian multimedia artist Jutta Pryor found this poem (originally published in Third Coast) and the reading by Nic Sebastian. Pryor is responsible not only for the cinematography and direction but also for the very effective soundtrack.