Strangely enough, considering the flourishing poetry scene in Scotland, this is the first Scottish videopoem I’ve posted here. It’s evidently the first of three films Alastair Cook will be making for something called this collection, which promises to deliver many more Scottish videopoems:
this collection is a collaboration between Edinburgh writers and filmmakers inspired by these poems, which aims to create a detailed picture of day-to-day life in the city, with all its foibles and issues, through the media of poetry and film.
Basically, we have gathered 100 poems by Edinburgh writers, each poem no more than 100 words long. We’re now looking to invite filmmakers, sound designers, animators who will like to get to work on creating short films based on poems of their choosing. We then intend to showcase the poems and the films together, both online and at events across the city throughout 2010-2011.
Here’s a live performance of one of the pieces included on the album, from the September 2009 Grand Opening of Poet’s House in New York. This is by British poet Charles Causley: “Nursery Rhyme of Innocence and Experience,” the opening track of the two-disc set.
Watch more live performances of songs off Leave Your Sleep at BBC Radio Scotland.
Tamzin Forster’s animation for what she calls a love poem by Julian Daniel. This was the winner in the Best Poem Film category at the 2009 Version Film Fest in Manchester, UK.
Just your standard Shelley zombie flick. Rather heavy on the bogus production company credits but otherwise a memorable addition to the videopoetry corpus, I thought. Joseph Blackwell directs and narrates. Oh, and here’s the poem in case you need a refresher:
We are the clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly!–yet soon
Night closes round, and they are lost forever:
Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.
We rest.–A dream has power to poison sleep;
We rise.–One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond foe, or cast our cares away:
It is the same!–For, be it joy or sorrow,
The path of its departure still is free:
Man’s yesterday may ne’er be like his morrow;
Nought may endure but Mutability.
This is “Verse Versus…” by Australian artist Anna Glynn. Though marred a bit by her watermark, it still seemed worth sharing for the extent to which it captured the oddness of the Lear poem — and oddly, won first prize from a local historic preservation group.
Anna Glynn was awarded first prize in the Historic Houses Trust’s 2009 Meroogal Women’s Arts Prize for her work ‘Verse Versus…’, a digital video art work which brings characters from Edward Lear’s poem ‘The New Vestments’ to life against a backdrop of images of the Historic Houses Trust property, Meroogal.
Contemporary Australian artist Anna Glynn works in a variety of media – this evocative short film features her original artwork: drawing, painting, photography, sound, animation and video/film SFX. Glynn’s main interest is in narrative works, in expressing this essence of “place”, either physical or temporal.