An innovative video by the Liverpool-based arts collective Mercy for a poem by their creative director, Nathan Jones.
Here’s a film by John Le Brocq called One Night Stand – Perfect End, in which the John Donne poem serves as a (mostly) internal monologue for the protagonist.
by John Donne
NOW thou hast loved me one whole day,
To-morrow when thou leavest, what wilt thou say?
Wilt thou then antedate some new-made vow?
Or say that now
We are not just those persons which we were?
Or that oaths made in reverential fear
Of Love, and his wrath, any may forswear?
Or, as true deaths true marriages untie,
So lovers’ contracts, images of those,
Bind but till sleep, death’s image, them unloose?
Or, your own end to justify,
For having purposed change and falsehood, you
Can have no way but falsehood to be true?
Vain lunatic, against these ‘scapes I could
Dispute, and conquer, if I would;
Which I abstain to do,
For by to-morrow I may think so too.
A tantalizing (if that’s the word) excerpt from a 52-minute documentary by David Bickerstaff and Phil Grabsky. “Based on Mario Petrucci’s award-winning book-length poem (split over two books), ‘Heavy Water: a film for Chernobyl’ tells the story of the people who dealt with the disaster at ground-level: the fire-fighters, soldiers, ‘liquidators’, and their families.”
I shot some footage in Ceredigion, West Wales, earlier this week — and all the time, I was hearing in my mind R S Thomas’s poem “Welsh Landscape.”
…so here it is, with the voice of the poet himself.
Another fine Comma Film video of a poem by Gaia Holmes, this time by Lisa Risbec, with narration by Jo Bryan. There’s a kind of Russian doll effect at work here: a film within a film, and a book within that, and animation enclosed by live action, and letters in envelopes. Archeaology indeed.
According to the Vimeo page, this is
A video poem using the text of poet Gerard Manley Hopkins from a journal entry he wrote in 1866. Video by Jym Davis. Featuring William Haun and Kenny Jensen. Filmed at Fontana Dam in North Carolina.