A videopoem by Helen Dewbery and Chaucer Cameron for the title poem from Tania Hershman‘s debut poetry collection with Nine Arches Press. A song by Tania’s brother Nick Hershman, “You Get What You Deserve”, is also incorporated into the soundtrack, and the interplay between the two texts is part of what makes this work so well, I think.
A poem by British Bengali author Saurav Dutt animated by Egyptian filmmaker Nissmah Roshdy, whose film The Dice Player took top honors at the ZEBRA Poetry Film Festival in 2014. The Stone of The Olive was screened at ZEBRA 2106; here’s the description from a YouTube upload of the trailer:
A young man’s soul struggles to stay attached to his homeland after the destruction of war and occupation takes over his country. As he faces violence, the only thing that ties his soul to the land is the olive tree. The film visualizes the poem “The Stone of The Olive” by british author Saurav Dutt and adopts a fantasy-like portrayal of the struggle of Palestinian refugees.
Mahmoud Taji recites the poem, and the music is by Aaron Mist. The translation in subtitles is credited to World Translation Center.
Videographer Kerstin Ebert calls this
A montage about New York City, a faded relationship, a guy on a bus and a note on his hand.
This is my visualization of Mischa Pearlman’s poem “was”, alongside the beautiful song “Maelstrom” by shipwrecks-music.com.
Camera & Editing – Kerstin Ebert
Him – Casey Skodnek
Her – Freeda Lou
Poem – “was”, by Mischa Pearlman
Read by – Kurt Lash
Music – “Maelstrom”, by Shipwrecks
Filmed on Sony a7sii during the cold month of December 2017 in New York City.
A video remix by Othniel Smith for Lucy English’s Book of Hours project, with her reading as the only soundtrack. Smith notes in the description that he sourced the imagery from a 1961 film produced by General Motors called A Touch of Magic. Intrigued, I found a Wikipedia page for it. It included the immortal lines:
This dream house you and I will share
Was planned for us by Frigidaire.
A half-century from now, will our contemporary techno-utopian fantasies seem as corn-ball and melancholy as this does now? Nothing ages as poorly as modernism — or is better suited for recycling into poems, especially one as wistful and gently ironic as this.
A pair of videos by Mark “Sparky” Tuson documenting a fascinating public poetry-ish project in Manchester a few years ago.
Artist Micah Purnell writes an ‘open letter’ on billboards to make you think. Twenty-one billboards in Manchester will display artwork that discuss some of the challenges facing consumers of Western progress. 24 March 2014 – 7 April 2014
Sadly, the project’s website is no longer online, but you can still read an article about the installation by Kate Feld at creativetourist.com.
[Purnell’s] messages draw a lot of their inspiration from Oliver James’ book Affluenza: How to Be Successful and Stay Sane, a bleakly brilliant polemic against a society infected by rampant capitalism. Basically, James says, the richer we get, the unhappier and more anxious we become. The more things we have, the less we value ourselves, the more we seek satisfaction through buying stuff and attempting to conform to impossible aspirations, put in our minds with the express purpose of turning a profit. To see these messages sprout in advertising space seems deliciously provocative.
Words and voice are by Lucy English; film, grading, editing and music by Marc Neys AKA Swoon — his most recent contribution to The Book of Hours project. It features orphaned home movie footage from IICADOM (The International Institute for the Conservation, Archiving and Distribution of Other People’s Memories).