Spanish poet Estefanía González appears as one of three actors in this film interpretation of her poem from director Eduardo Yagüe. The English translation in the subtitles is the work of Jean Morris, and the music is from Swoon‘s album Time & River.
The poem appears in González’s 2013 collection Hierba de noche, which, according to this webpage, was born in large part from her activity on blogs, Twitter, and other social networks and internet collaborations. So it seems especially appropriate that her work should now be the subject of further web-based collaboration and transformation. As a blogging poet myself, I love her description of her outlook:
Sigo desperdigando poemas y semillas por las cunetas. Sigo vertiéndome como un jovenzuelo infinito. Sigo prefiriendo lo por venir a lo obrado. La perfección aún me recuerda a la muerte, cualquier elección me recuerda a la muerte. Quizá se trate de inmadurez. Seguramente.
(I keep scattering poems and seeds into the gutters. I keep pouring myself like an endless youth. I still prefer whatever is coming to what’s already been made. Perfection still reminds me of death, any choice reminds me of death. Maybe it’s immature. Surely.)
A poem by the Spanish poet Ángel Guinda in a film interpretation by Sándor M. Salas of Anandor Producciones. Mohsen Emadi provided the English translation used in the subtitles, and the music is by Anacinta Alonso. I shared another Guinda/Salas collaboration back in 2014, but was reminded about this one by a share at the The Film & Video Poetry Society Facebook page — currently one of the most popular and active alternatives to Moving Poems for a steady stream of good poetry videos. (They’re also on Twitter, for the Facebook-phobic.)
|Y era el demonio de mi sueño, el ángel
más hermoso. Brillaban
como aceros los ojos victoriosos,
y las sangrientas llamas
de su antorcha alumbraron
la honda cripta del alma.
—¿Vendrás conmigo? —No, jamás; las tumbas
—Vendrás conmigo… Y avancé en mi sueño
(poema de Antonio Machado)
|And he was the evil spirit of my dreams, the most handsome
of all angels. His victorious eyes
shot fire like pieces of steel,
and the flames that fell
from his torch like blood
lit up the deep dungeon of the soul.
“Would you like to come with me?” “No, never! Tombs
“You will come with me…” And in my dreams I walked
(translated by Robert Bly)
Eduardo Yagüe (GIFT Producciones) made this videopoem in 2014 as an homage to the great Spanish poet Antonio Machado on the 75th anniversary of his exile and death. Eduardo’s reading is exceptionally good, and slow-paced enough that even those with just a little bit of Spanish should be able to follow along. Music by Jared C. Balogh accompanies the voiceover.
I first learned this poem (number LXIII from Galerías) through Robert Bly’s translation (above) in Roots and Wings: Poetry from Spain 1900-1975. (Alan S. Trueblood also translated it for a bilingual edition of the selected poems, but not quite as effectively.)
This is Platillo Puro, Spanish director Bruno Teixidor‘s “homenaje en videoarte al poeta hispano-mexicano Tomás Segovia” (homage in videoart to the Spanish-Mexican poet Tomás Segovia). He’s released both color (above) and black-and-white versions. Be sure to click the “CC” icon at the bottom to read the English subtitles—the work of translators Gabriela Lendo and Lucas Laursen, who were close friends of the poet. Also, be advised that the film contains full frontal nudity, so watch with discretion.
The title literally means pure dish, but Bruno told me in an email that it’s from a Segovia poem in which platillo refers to the pan on a balance scale. The voice on the soundtrack is Segovia’s, cinematography is by Thiago Moraes, and the actors are Leila Amat and Rafael de Labra. The two poetry selections are separated by a short statement from the poet about his relationship to the literature world as the credits roll, setting us up for the excerpt from “Anti-Yo” at the very end. All in all, a very effective homage, I thought.